Giving Family Photograph, the first album from the bi-coastal Dreyer Family Band, a brief review is hard, because you're not likely to hear a kids music album more stuffed with so many feelings this year. The product of the families of Matt and Craig Dreyer, the album gives voice to all of the good times and bad times most families go through.
In many ways, it's completely typical family music territory -- lots of songs about love and creativity and animals playing music ("Totem Party," the closest thing the album has to a traditional folk song on its collection of 17 originals). But a few other songs serve as counterweight to the lovey-dovey stuff, and make those songs' emotions feel earned. When was the last time you heard a song (from a kids' point of view) talk about wanting to hit someone, especially a sibling or a friend, but that's exactly what the Johnny Cash-styled "Mad" covers. Or the '60s soul of "You Get What You Get," which adds music to all those things parents say (or want to say) to their child on those highly-stressed days ("It's a get what I got hope you like it day / If you don't just keep it to yourself today"). The music covers a wide range of styles, but has its locus in funky soul music. It's like a long-lost kids album from 35 years ago. It felt a little long for my tastes, though if you asked me exactly which 4 songs I'd drop to make it a trim 33 minutes rather than the 43 minutes it actually is, I'd be at a loss to do so.
The album will probably be most appreciated by kids ages 3 through 8, though the real target audience is those kids' parents -- if the kids like it, that's a bonus. You can hear some tracks at the band's website (click on "listen") or samples at the album's CD Baby page. Listening to Family Photograph feels a little bit like looking through a family album of highly personal photos; sometimes the photos are fuzzy or seem to have meaning that escapes the casual listener, but at times these snapshots have captured something magical. Recommended.
I'll start this review of Family Time, the first kids music album from Ziggy Marley, by saying that I'm not a big reggae fan. So, when I put my review copy into the CD player my expectations were low.
Saying that the album exceeded my expectations, then, would be somewhat like damning with faint praise. So let me put it this way: Family Time is a lot of fun, regardless of what music your family likes. Unsurprisingly, there's a pleasant, laid-back vibe to the album which is one of its greatest strengths. "I Love You Too," for example, with Marley's mom Rita and his sister Cedella, won't change the world but its simple groove will probably put a smile on your face. "Take Me To Jamaica" features a fun duet between Marley and reggae legend Toots Hibbert. And my favorite moment on whole CD might just be when Marley's daughter joins in on the singing on the title track. It certainly isn't polished, but it's exactly that feeling of recording amongst friends and family that takes this album so far.
As for the rest of the guest stars, some of it works, some of it doesn't so much. Generally, I liked the female singers -- it's hard to go wrong with two of the best voices in the kids music genre, and Elizabeth Mitchell and Laurie Berkner don't disappoint on their tracks. The male guest stars, not so much -- it's not that Willie Nelson and Paul Simon are bad, just that they don't really add much to the track. And the placement of not one but two Jamie Lee Curtis narrations (one Marley's, one hers) back-to-back at the end of the disk is just plain odd. (Interspersed earlier in the disk, and it might have worked...)
The 45-minute album might be targeted to kids ages 3 through 7, but I think a lot of adult fans will find the album eminently listenable as well. You can find samples throughout the internet, the title track on his Myspace page.
Ziggy Marley has said that he hoped to make Family Time an album which could be passed down from generation to generation. And while I don't know if it's a timeless classic, there's no doubt that it's worthy of some repeat play. Definitely recommended.
Here's a sign of how oddball a CD is: when you cover a Talking Heads song on your kids' album, and it might just be the least weird song on there.
Thank You For Joining the Happy Club is an oddball CD, and I mean that as a high form of praise. It's the debut kids' CD from central Pennsylvania's Billy Kelly, and it's totally winning in its goofiness. How goofy? Try this, a snippet of animation for "People Really Like Milk":
And it goes on like that ("People really like drinking / From a really big thing that goes moo"), getting sillier all the while. It is a novelty song, perhaps, but it is a perfectly-constructed and produced one, possibly my favorite song of the year. The rest of the CD follows that pop-rock template, if not quite reaching those giddy heights. The title track invites you to "tell your dog the join the happy club" (with a perfectly timed woof) while having the background singers provide the "doo-doo-doos" after Kelly sings that "there aren't any dues." While the hyper (and genre-jumping) "I Don't Know!" sounds like early They Might Be Giants, most have the tracks have a warmer, usually joyous Barenaked Ladies vibe, particularly on songs like "Springtime: It's My Favorite" and "(Let Me Tell You) What I Like About You." And, yes, there's a Talking Heads chestnut, "Don't Worry About the Government," which in its straightforward reading is OK for kids, if a bit mystifying for them. (Hey, at least it's not "Stay Up Late.") Kelly and his band, the Blah Blah Blahs, make an appealing sound together; I particularly enjoyed the guitar work, which reminded me a bit of Adrian Belew in spots.
Now, there's no good reason to have two self-referential songs about song construction -- one is plenty for a kids' album (one is probably plenty for any album). And Kelly has a tendency to resort to spelling in his lyrics. (I'll admit, though, that the song title "S-N-O-W-M-A-N (Snowman!)" is pretty funny.) You take the good with the overdone good, I suppose.
The album will be most appreciated by kids ages 6 through 10. You can hear several songs from the 32-minute album at Kelly's Myspace page. For now you can purchase the album here.
Thank You for Joining the Happy Club is an album for slightly older kids, those who enjoy snappy wordplay and goofy imagery. I could see younger kids being puzzled by the hullabaloo and it's a bit too cute by half at points, but I think there are going to be some families who absolutely love love love this disk. Join the Happy Club? Sure, I did -- I might even run for president. Definitely recommended.
With about 30 years of recording behind them, Trout Fishing in America have a back catalog that is plenty large enough with which to start doing some interesting things. To wit, My Name Is Chicken Joe, the first book collaboration the duo of Keith Grimwood and Ezra Idlet have done with The Secret Mountain publishing company.
The collection is out this week and it essentially is a "best of" collection of some of Trout's wordier, folkier tracks. The "star," so to speak, of the 11-track collection is "Chicken Joe," which gets its lyrics (about animals with non-sensical names like the cat named "Chicken Joe") illustrated over a couple dozen pages. The illustrations by Stephane Jorisch remind me of gonzo illustrator Ralph Steadman with about 90% less gonzo. (There is no other way to describe them than "cute.") Lyrics to the other ten tracks each get a couple pages of illustration as well.
But we're mostly about the music here. The 11 tracks -- all previously-released -- include a number of excellent Trout Fishing tracks, not just the title track, but also "My Best Day," "It's A Puzzle," and "Fill It Up." For the most part, the selections tend toward the folkier (notwithstanding the rocking "I Can Dance" and the klezmer-touched "Boiled Okra and Spinach"). It's a fine collection, but it by no means is a complete Trout Fishing "Best Of." The collection lacks Trout classics such as "18 Wheels on a Big Rig," "Three Little Ducks," and "The Window," but those are songs that depend upon interaction between Grimwood and Idlet and not so much on the lyrics. Written down on paper, those latter songs wouldn't be so interesting -- it's Trout's classic live stage banter that makes those songs favorites to many listeners. The songs here are songs on which the lyrics themselves take center stage.
The songs will be of most interest to kids ages 5 through 9. (The book, maybe a little younger.) You can hear clips of the 33-minute album wherever books/CDs are sold online (or watch this video of the title track). If you're interested, you can also buy the CD just by itself, but with the book barely costing more than the CD, I say go for the book. (I should note that book itself is of high quality -- typically the books in these book/CD arrangements have a pretty cheap feel to them, but not this one.)
Longtime Trout Fishing in America fans will likely appreciate the book My Name Is Chicken Joe because it marries some delightful illustrations to a sweet Trout song, though may be disappointed by the lack of even a single new track. I'd recommend it more to newcomers to the band, who may appreciate the book more for that "best of" quality. Here's hoping, though, it leads to a couple more books (and, by extension, a couple more greatest hits volumes).
The story of Brooklyn's Libby Shapiro isn't terribly novel at this point. As she puts it in her PR materials:
Throw a rock and hit a musician in Brooklyn, it is true. And [she's] yet another professional musician living in that fine borough who spent her life making music for adults, who, once she had a family, started singing for and with the kids the songs she loved and sang as a child...
Whatever points Shapiro loses for originality, though, she picks up in putting together a winning collection of kids' favorites (with a few curveballs mixed in) on her debut album as "Wanda Von Swing" on the Von Swing Family'sHoney, Sugar Baby Mine. The band puts a Cajun/zydeco stamp on some of the traditional songs such as "Skip To My Lou" and "Crawdad," putting piano, accordion, guitar, and stand-up bass to good use. All the songs feature Shapiro's distinctive and full-bodied voice, which sometimes comes close to overpowering the simpler toddler songs, but on songs like "Buffalo Gals/Red Haired Boy" and Shapiro's original "Shake It, Baby, Shake It," it makes for a good match. And it's impossible not to like an album that ends with a gently rollicking cover of Hank Williams' "Jambalaya."
The album will appeal most to kids ages 2 through 7. You can hear samples of the tracks at the album's CDBaby page. Honey, Sugar Baby Mine is what might've happened had Dan Zanes swung through Louisiana many years ago as he was starting to think about music for families. It's just good kids and family music, American roots style. Recommended.
Rather than record a full-length follow-up to their fine 2007 collection Educated Kid, the Bay Area band The Hipwaders decided to save a little money and record just an EP, Goodie Bag, released last week. The band packs in quite a bit of music into the 16-minute EP and while there's nothing as completely amazing as the title track to their Educated Kid disk, there's a lot here to enjoy. From the crunchy power-pop snippet "Birthday Ruckus" to the jazzy punk "Field Trip" to the XTC-punk of "Things You Want," the band covers a lot of musical territory and chords you don't hear so much of in the genre. They're not recording "Jazz Odyssey" by any means, but songwriter and guitarist Tito Uquillas likes to write songs celebrating the imagination or creativity -- "My New Camera" or "What's That Noise?," for example -- and the trio's music never fits a cookie-cutter pop mold. Fellow Bay Area musician Gunnar Madsen also makes an appearance on the title track, the goofiest track here.
The album will appeal most to kids ages 4 through 9. You can hear clips at the album's CDBaby page or hear full clips plus lead Hipwader Tito's thoughts on the EP here. As far as goodie bags go, this particular one would be an excellent stuffer at your kids' next party. A tiny but recommended collection of songs.
Giving Family Photograph, the first album from the bi-coastal Dreyer Family Band, a brief review is hard, because you're not likely to hear a kids music album more stuffed with so many feelings this year. The product of the families of Matt and Craig Dreyer, the album gives voice to all of the good times and bad times most families go through.
In many ways, it's completely typical family music territory -- lots of songs about love and creativity and animals playing music ("Totem Party," the closest thing the album has to a traditional folk song on its collection of 17 originals). But a few other songs serve as counterweight to the lovey-dovey stuff, and make those songs' emotions feel earned. When was the last time you heard a song (from a kids' point of view) talk about wanting to hit someone, especially a sibling or a friend, but that's exactly what the Johnny Cash-styled "Mad" covers. Or the '60s soul of "You Get What You Get," which adds music to all those things parents say (or want to say) to their child on those highly-stressed days ("It's a get what I got hope you like it day / If you don't just keep it to yourself today"). The music covers a wide range of styles, but has its locus in funky soul music. It's like a long-lost kids album from 35 years ago. It felt a little long for my tastes, though if you asked me exactly which 4 songs I'd drop to make it a trim 33 minutes rather than the 43 minutes it actually is, I'd be at a loss to do so.
The album will probably be most appreciated by kids ages 3 through 8, though the real target audience is those kids' parents -- if the kids like it, that's a bonus. You can hear some tracks at the band's website (click on "listen") or samples at the album's CD Baby page. Listening to Family Photograph feels a little bit like looking through a family album of highly personal photos; sometimes the photos are fuzzy or seem to have meaning that escapes the casual listener, but at times these snapshots have captured something magical. Recommended.
I'll start this review of Family Time, the first kids music album from 
Here's a sign of how oddball a CD is: when you cover a Talking Heads song on your kids' album, and it might just be the least weird song on there.
Thank You For Joining the Happy Club is an oddball CD, and I mean that as a high form of praise. It's the debut kids' CD from central Pennsylvania's 
With about 30 years of recording behind them, 
The story of Brooklyn's Libby Shapiro isn't terribly novel at this point. As she puts it in her PR materials:
Rather than record a full-length follow-up to their fine 2007 collection Educated Kid, the Bay Area band 
