Review: Rock Paper Scissors - Dean Jones feat. the Felice Brothers

This is the noisiest kids' CD you'll hear all year. Dean Jones, musician with a dozen hats (including one as the ringleader of the wonderful folk/pop/jazz/whatever band Dog on Fleas), turns to a bunch of friends, primarily the Felice Brothers and Earmight, for his latest album Rock Paper Scissors. Unlike his first solo kids' disk, the lullaby(-ish) Napper's Delight, this new album is loud and sloppy and all over the place. (If the two albums are in the same place at the same time, they will explode, just as if you put matter and anti-matter together.) The opening track, "Hail! Hail! The Gang's All Here!" outdoes Dan Zanes and anybody else who's ever attempted to put a party group jam on record. You will not hear a better album-opener all year, and the album almost suffers from being unable to match that level of energy and raucous joy the rest of the disk, as if anything could. As the album proceeds, Jones and his pals move from the jazzy title track, the Jazz Age novelty track (in spirit, anyway) "Butterflies" to the sing-it-loud-and-proud midtempo "Sing Like a Sparrow." Jones pal Uncle Rock shows up to mug his way through the loudest song about snoring you'll ever hear "Roncando," while the band channels a little bit of the great band Morphine on "Poison Ivy." It moves through many emotions and many instruments (haven't seen "car-horn-o-phone" on an instrument list lately). While this isn't quite the folk/pop that Dog on Fleas mastered on When I Get Little, people who adored that album and didn't have quite the attachment to its follow-up Beautiful World will probably find this a worthy successor. Kids ages 4 through 8 may dig the album more so than kids of other ages, though kids ages 34 through 38 will enjoy it just as much. You can hear clips from the approximately 34-minute album here. So, yeah, Dean Jones throws in everything but the kitchen sink on Rock Paper Scissors, and then goes ahead and throws in the sink for good measure. Lots of kids albums describe themselves as a good party, but this album is the real deal. Definitely recommended.

Review: Sing With Me - Haley Bonar

One of the most welcome trends of the past decade, kids music-wise, is that artists who spend most of their time making music for adults don't have a problem occasionally making music for kids, joining the lucky group of folks for whom making music for families is a full-time gig. Often these albums appear at the midpoint of an artist's career -- think of They Might Be Giants, or Barenaked Ladies, or The Verve Pipe -- well after they've established themselves. But I think we've gotten to the point where up-and-coming artists -- potential Next Big Things -- feel like recording family music is a perfectly acceptable detour along the way. Ten years ago, would Haley Bonar have released her 5-song EP Sing With Me? Probably not. Which would've been a shame, because this is a beautiful 16 minutes of music. Bonar, a singer-songwriter from the Upper Midwest who now calls Portland, Oregon her home, has a sweet voice ever so slightly ragged around the edges. On Sing With Me, she uses that voice to good effect on songs like the album "Beautiful You," which fairly aches with joy. Lyrics like "Beautiful / Everyone is beautiful / And I think you're beautiful, too" might sound trite in the hands of lesser artists, but in Bonar's sparse arrangement becomes a thing of beauty. It's basically a muted version of "What a Wonderful World." That's followed up by the title track, which in its brazen exhortation to sing and use of the major scale in the chorus is a 21st century version of "Do Re Mi." Those two songs, the album's best, are followed by "I Wanna Be Like You," of which Bonar's mellow take may not interest too many kids. The slow waltz "For Sister" is a little bit like Dar Williams' "The Babysitter's Here" in that it's a celebration of love for a little sister that may be best understood by the adults listening, but isn't outside the comprehension level of a kindergartner (who might be close to the experience). The EP finishes up with "If I Had A Rainbow," which features lines such as "If I had a rainbow / that'd follow me wherever I'd go / Everybody'd like me / Because I'd be so colorful." It's a cheery way to end the album. The 16-minute album will be most enjoyed by kids ages 3 through 7. For the moment, you can only purchase the album at Bonar's store. I know that Bonar's on the way up in the world, and we're not likely to get another family album from her anytime soon. That's a shame, because I'm really taken by Sing With Me and I think you'll be, too. Good songwriting is always appreciated, regardless of whether you're 3 or 33. Definitely recommended.

Itty-Bitty Review: Banjos For Babes, Vol. 1 - Josh Turknett

First, let's get this out of the way -- Banjos For Babes is a lot better than its cover might lead you to think. While I admit that the 4-year-old daughter of Atlanta neurologist/banjo player Josh Turknett has more drawing skills than I, a casual viewer might be forgiven if they opened the disk with some trepidation. But once they get the disk into the CD player, they'll be fine, because this is a sweet and simple little collection of, well, songs for the youngest banjo fans. Nothing revolutionary here, just solid banjo playing, nice arrangements, and even an unfamiliar nugget or two. The leadoff track "Head, Shoulders, Knees, and Toes" adds a few other body parts into the mix, while "Old Dan Tucker" takes a slightly more leisurely approach to the song than is commonly heard. And I really liked "Coke Oven March," a song whose origin Turknett traces back to a music box. If Turknett doesn't quite have Pete Seeger's golden voice -- and, really, who does? -- it's pretty good, and he does a good job making what is essentially a one-man affair seem much fuller. The song selections on the 42-minute album are most appropriate for kids ages 2 through 6, though the arrangements will have a broader appeal. You can listen to samples from the songs here or at the album's CDBaby page. Banjos For Babes is a well-crafted collection of folk takes on kids' classics, one worth checking out. Recommended.

Review: Rise and Shine - Key Wilde & Mr. Clarke

It's hard to review an album when in one sense you've been reviewing it for a couple years now. From the very beginning, the songs from Key Wilde and Mr. Clarke were so wonderful, so fun that I couldn't stop telling people when they'd added another one to their collection. And now, many many moons later, the final product is here, Rise and Shine, the duo's debut kids' album, and familiarity has not breeded contempt, but rather continued and even heightened endearment. The album kicks off with the earthy title track -- never did eating one's worms sound so appealing outside of the avian world -- and pulls you in with each successive track. "I Had a Little Dog" is a shambling country melody that notes almost as an afterthought one of the album's few attempts at a standard moral lesson ("can't be what you're not / so be proud of what you've got"), followed by the hardest rocking kids tune of the year, the awesome "Favorite Names". If you're not in love with this album by the fourth track ("Big Pet Pig," with Wilde's shouted counterpoints -- "Well he can take all the garbage you've got (WHAT YOU GOT?)" -- to Clarke's sung verses), then there's not much I can do for you. That track's followed by two subversions of traditional kids' tunes -- "John the Rabbit" adds a whole cast of mischievious supporting characters while "Rattling Can" is a nuclear (literally) re-envisioning of "Rattlin' Bog." If the rest of the album doesn't quite reach the heights of those first 6 tracks, well, it comes close, and who can blame them when he bar was set so high? (I do particularly like "18 Wheeler" and the dreamy formal album closer "Peekepoo.") The album's probably most appropriate for kids ages 3 through 7, though the sly humor underpinning the entire album broadens the age-appropriateness considerably. In its physical form, the album also comes with a lovely book/CD case drawn by Wilde, who's also an illustrator. You can hear the album here. So, yeah, the album's great -- a mix of Johnny Cash, Johnny Rotten, and Johnny Appleseed. Targeted at the kids, but with enough musical gifts to keep the parents happy through repeated listenings, Rise and Shine is already one of the year's best albums. I hope the follow-up comes out much, much faster. Highly recommended. Disclosure: I was provided with a copy of the record for possible review, not to mention the opportunity to stream the album for readers. Clearly I'm a big fan.

Review: C'mon - Renee and Jeremy

The first time I heard Renee and Jeremy's It's A Big World more than 2 1/2 years ago, I instantly recognized how unique its sound was (read the review). Even if I thought it was just shy of being a timeless classic, it was definitely (and still is) a very important album in the resurgent genre, a completely modern lullaby album that was so intimate it sounded like it was recorded in the nursery. (Which it was, incidentally.) But if lullaby albums are about the parents, the follow-up albums are about the kids, which brings us to C'mon, the recently-released second album from the duo of Renee Stahl and Jeremy Toback. Whereas the first album was designed to put everyone at ease, C'mon is designed for, well, if not dancing, then at least bobbing of heads. At times, the album is the grooviest thing you're going to hear until Sly and the Family Stone release their family music album, but it also retains just enough of the raw intimacy that gave It's a Big World such a distinctive sound (for example, Toback's "here we go" at the very start of the leadoff track, "Share"). But if you're looking for another hushed rendition of "Three Little Birds," you'll be surprised by the '80s pop and synthesized strings of songs like "Watch Where You're Going." The songs are anchored by Stahl's beautiful voice, but Stahl and Toback duet more on this album than on its predecessor, usually to great effect ("Wishing Well" not only features Stahl and Toback duetting, but also multiple layers of Stahl's vocals). Fans of the first album might prefer the lullaby "Is It Really Any Wonder?." But for me the album's standout track is ELO-meets-the-playground "Mama Papa Love," which neatly turns the line "Mama loves you so much, baby / What you gonna do with that love? / Papa loves you so much, baby / What you gonna do with that love?" into "Baby loves you so much, mama, what you gonna do with that love?" It speaks straight to both parent and child and soars. I'm a bigger fan of the music than the lyrics, which are generally simple, big on repeated choruses, and directed at kids with fairly obvious topics -- sharing ("Share") or delayed gratification ("Right Now"). The album is slightly more than the sum of its parts, as over its 33-minute run it sets up its groovy mood and sticks to it. The songs here are topically most appropriate for kids ages 2 through 6. You can get the physical copy exclusively (for the moment) at Barnes and Noble or digitally here. Families who are fans of the first album should have no problem getting into C'mon after a listen or two. Neither should listeners new to the duo. It's a sweet treat of a disk. Definitely recommended. Disclaimer:Renee & Jeremy provided me with a copy of the album for possible review.

A Sleigh-Load of Christmas/Holiday CD Reviews

There's so much holiday music in the kids music genre that just listening to it all this year was a daunting task. I've got eight albums that grabbed my attention in one way or another; one of them is bound to please your family (unless you're looking for a solstice, Kwanzaa, or Festivus album). Let's start out with my 3 favorite albums of this particular season...

The most ambitious kids music holiday album of the year comes courtesy of The Hipwaders, whose A Kindie Christmas isn't so much an album of Christmas music as much as it is a Christmas concept album, covering the emotions and anticipation of the season. It's a collection of all-original tunes, done in the Hipwaders power-pop/rock style. "It's Wintertime" is a great dance tune, and "Santa's Train" sounds like an outtake to a Johnny Cash Christmas album, but my favorite track here, maybe of the season, is "There's Too Much Good," a very affirming sentiment at this time of year.

To say that the collaboration of Danny Adlerman, Kevin Kameraad, and Yosi finally bridges the divide between Christian and Jewish holiday traditions makes ...And a Happy New Year sound a lot duller than it really is. In reality, the three kids rockers mostly take turns in providing songs, alternately deeply sincere ("Starlight" and "Two Sets of Footprints") and goofy (the "12 Days of Christmas" reworking "A Pickle for my Christmas Tree" and a cover of Tom Lehrer's "I'm Spending Hanukkah in Santa Monica"). Featuring the season's hardest-rocking tune, the trio's cover of "Frosty the Snowman," it's an interfaith collection worth exploring regardless of whether you light menorah or advent candles.

Robert Burke Warren, AKA Uncle Rock, spent time in London's West End performing a Broadway show but also rocked in far earthier terms. On Express Your Elf, Warren taps into both of those performing personalities. On the one hand, he offers a crooning take on "The Most Wonderful Time of the Year" and a peaceful "My Favorite Things" (a perfect holiday song, when you think about it). Those tracks share space with the rootsy ~~original~~ long-lost nugget "Santa's Coming in a Whirlybird" and a cover of "Feliz Navidad" that neatly weaves "La Bamba" into the mix. It's a tough (and close) call, but it's my favorite kids music holiday disk of the year. There are others for your listening pleasure. Read on for more...