Review: "The Final Funktier" - Recess Monkey

FinalFunktier.jpgIf you go over the 3 1/2-year archival history regarding Seattle trio Recess Monkey on this website, you'll see a gradual progression from "hey, these guys put out a fun album" to, well, "the heart of kids music today." I said that because the band has worked its way into national exposure through talent, hard work, and a recognition that working together will get them further than going it alone. But it's also because over the past 4+ years, they've released 5 solid albums, the latest of which, The Final Funktier, was released this week. The guys all seem too nice to have sold their soul to the devil for the ability to write and record catchy, danceable, and just plain fun songs, but whatever they've done, they haven't lost their touch one bit on the new record. As you might guess from the title, it's a more danceable album than previous efforts -- "Moon Boots" and "Booster Seat" are just a couple of the songs that will probably get your kids and you up off the floor shaking your, er, boots. The band once drew their inspiration from the Beatles, but now their pop-rock confections are more diverse, source-wise. "The Galax Sea" throws in some strings, "Constellation Conga" is, well, a gentle little conga, and several songs sound like they were recorded by the secret love children of the Go-Go's and Devo. (I'd also note that the band's commitment to the kids music scene is pretty big, with no less than 7 different kids musicians or bands making appearances on the disk.) The album is also -- loosely -- space-based, though the album is less likely to inspire your kid to beg you for a telescope than it will to have them ask you for a stand-up microphone to practice their jokes. The lyric matter is right down the early elementary school alley -- little brothers ("My Brother is a Satellite"), robots ("How Do You Build a Robot?"), and aliens ("Ukulalien"). And everywhere it's leavened by a second-grade sense of humor that will make the kids giggle. (OK, maybe not "One Tiny Light," the sweet album closer.) The 34-minute album is most appropriate for kids ages 5 through 9. You can hear samples at the album's CD Baby page, or full tracks at the band's website. So, yeah, at this point Recess Monkey is a machine. A finely-tuned kids-music-hit-making machine. The Final Funktier is as good as anything they've done, maybe the best. They may not inspire the next generation of astronauts, but they may have a better chance than anyone else to inspire the next generation of kids musicians. Which I think is just as important. Highly recommended. Disclosure: The band provided me a copy of the album for possible review. And I streamed "Constellation Conga" as a world premiere.

Itty-Bitty Review: The Monkey Dance: All the Kids Are Doin' It! - The Sweet Colleens

MonkeyDance.jpgBased in the Twin Cities, The Sweet Colleens normally play Celtic-flavored roots music for adults, but they've branched out on The Monkey Dance: All the Kids Are Doin' It!, their first album for kids. It's a hodge-podge of styles, from the more rockin' title track and the especially fun Cajun'-tinged "No Beans, No Brownie" (the chorus soon to come to a home near you), to the more traditional "The Terrible Twos Step" and "Who's My Pretty Baby?" (Covering Woody Guthrie will usually earn you bonus points 'round these parts.) Though the Minneapolis Youth Chorus sounds great on a number of the tracks, they also sound a little out of place on the album -- I'd've rather heard the band tear through another traditional roots piece to get the kids dancin'. The album will be most appropriate for kids ages 2 through 7. You can hear a few of the songs from the 41-minute album at the band's new Myspace page. For a first kids' album, The Monkey Dance is pretty decent -- some fun tunes, good musicianship, and a willingness to get playful. I'm recommending this for fans of roots rock. And I think if the band decides to record their second album for families and figures out what they really want to do, look out -- it could be seriously good.

Review: "Jungle Gym" - Justin Roberts

JG_(CS07)-1.jpgI know already did a review of Jungle Gym, the latest album from Justin Roberts on NPR's All Things Considered. That is my review of the album and if you haven't heard it, I encourage you to do so. (It was written with the musical interludes in mind -- it's much better on the air than on the page.) But.... with these NPR reviews, the time is limited and I can't go into as much detail as I would on the written page. So consider these the deleted scenes, perhaps. Just as good, just doesn't fit into 4 1/2 minutes. -- The first three tracks are as strong an opening set of songs as you'll hear on any kids pop/rock record anywhere. They're also probably as strong an opening set of songs as you'll hear on any pop/rock record anywhere. -- I can't quite express how much I love "Trick or Treat." I'm not the first person, but the ten or so seconds of music involved with the line "My brother stands on a chair 'cause he's shorter / Put every piece in alphabetical order" is so perfectly constructed that it is, without a doubt, my favorite musical bit this year. -- While Roberts has written some classic slower songs, I don't think they're quite as strong here. "2 x 4" is a sweet little album closer about a treehouse, and "Never Getting Lost" has a dramatic arc for both the child and adult listener, but "Sign My Cast" doesn't do a lot. They're not bad songs, they just don't quite have the power of the uptempo tracks. -- I would like Liam Davis to produce the next New Pornographers record. Thanks in advance, universe, for making this happen. -- The album will appeal thematically the most to kids agest 5 through 9. -- I go back and forth as to whether Jungle Gym or Meltdown! is my favorite Justin Roberts album. Which is sort of like trying to decide whether Exile on Main Street or Let It Bleed is your favorite Rolling Stones album. They're both classics... -- Highly recommended.

Review: The Kids Are All Id - Randy Kaplan

TheKidsAreAllId_lowres.jpgIt's taken me a little time to fully appreciate Randy Kaplan for what he is -- one of family music's most inventive storytellers. There were times at which I thought songs like "Shampoo Me" were, though amusing, a little silly and not quite the Dan Zanes-like music I thought Kaplan could -- or maybe should -- make. I was wrong. It's songs like "Shampoo Me" that are what make Randy, Randy. The fanciful stories sprung from the conjoined heads of Shel Silverstein and Bob Dylan are Kaplan's calling card, and he's very, very good at them. His third album for kids, The Kids Are All Id, is to my mind, his most story-intensive collection yet. From the get-go, Kaplan tells inventive stories in folk songs about characters you haven't heard from -- "The Hebrew-Speaking Bear," an Elizabeth II-aping queen bee on "Little Bee," or his monkey Kqxhc, who makes a return appearance on "Is She a Girl or Is She a Monkey." Kaplan doesn't dig too deep into lessons -- his cover of "I Got Plenty o' Nuttin'" and his original "My Little Laugh," about laughing at situations that might otherwise make him cry are about as deep as he gets. The album is titled The Kids Are All Id on purpose -- there are lots of characters here who are somewhat exasperating -- Joe, of course, the title character in the folk-punk "The Kid Is All Id," Kaplan's younger self in his rreworking of "Don't You Leave Me Here," or the toddler who responds to every joke setup line with "This Guy." The first ten or so songs are, if not frenzied, at least active. As a result, the trio of Ezra Jack Keats-based songs about two-thirds of the way through the disk come like a soothing balm. "I Like Cacti" is a sweet, sweet song -- I can't get over the line "What attracts us / About a cactus?" Indeed, while I've been focusing on the words here, Kaplan writes some great musical bits (there's a part in "The Kid Is All Id," in which the adult supervisor breaks free with a plaintive, soaring chorus) and he and his producer Mike West give the album a natural, expansive sound. The 54-minute album will be most appreciated by kids aged 4 through 8. You can listen to 3 of the tracks at Randy's Myspace page. The Kids Are All Id is Randy Kaplan's best album yet, and shows Kaplan's greatest strength -- his ability to listen to and interact with the kids who are his audience and to turn that into stories in song. Instead of suggesting that Randy could be the next Dan Zanes, perhaps I should've suggested Bill Harley. Definitely recommended.

Review: "Outside Voices" - The Pop Ups

OutsideVoices.jpgI'd like to think I have a good record of introducing new artists worth following to the world, but I can't be first all the time. As you'd expect, Bill Childs gets his fair share of disks, and last week in his typical understated way, he made an aside in an unrelated e-mail, saying, "I like that Pop Ups CD." I hadn't heard it, and so worked to change that ASAP and... This is nothing less than the kids music debut of the year, an inventive mix of beats and melodies that will tickle the eardrums of young and old alike. It's called Outside Voices, and it's from the Brooklyn duo The Pop Ups. The Pop Ups consist of kids music teacher Jacob Stein and Jason Rabinowitz, frontman for the indie-pop band The Bloodsugars and co-writer/producer of three Little Maestros disks on Kid Rhino, so they've come into this project with both a kids music background and no small amount of experience recording music for adult ears. The opening track, "Outside Inside," is as striking an opening track as I've heard on a kids album in some time. A guitar strum, a piano, and then a soaring vocal accented by an insistent drum track, all in the purpose of describing the difference between outside voices and inside voices. The next track "Subway Train" is an '80s-tinged electronica-assisted tale of alliterative animals on the New York subway system. The reggae-style "Balloon" leads to "Apes in Capes," which must be a Postal Service hidden track about using basic geometric patterns to draw objects. The midtempo rocket "F & G" is the greatest song about a letter pair since They Might Be Giants' "QU." And so on. The second five tracks are slightly less awesome than the first five, though I have no small fondness for the horn-assisted garage-rocker "Pasta" (I think you can guess what that one's about). And "Up and Down" is pretty much a Sesame Street video begging to be made. The 37-minute album is pitched toward kids aged 3 through 7, though I can definitely see this being one of those albums that parents occasionally sneak into the car's CD player after dropping the kids off somewhere. For the moment, you can just purchase the album via download. It's now available in both mp3 and tangible CD format. Feel free to stream the whole album below. (Um, that's an order, actually.) Can you tell I'm over the moon about this album? Good. Because it's seriously great; it's this year's out-of-nowhere surprise equivalent to John and Mark's Children's Record. Totally for kids, with no compromises for the adults listening in, this album is winning in every way. I may not be the very first to tell you about Outside Voices, but I can guarantee you that I will not be the last. Highly recommended. <a href="http://thepopups.bandcamp.com/album/outside-voices">Outside Inside by The Pop Ups</a> Note: The band provided a copy of the album for possible review.

Itty-Bitty Review: Clap Your Hands - Gwendolyn and the Good Time Gang

ClapYourHands.jpgIt's been too long since we've heard from Los Angeles' Gwendolyn and the Good Time Gang. They released the fine Get Up and Dance in 2007 (review), but aside from a track on a 2008 Disney compilation, silence. So, good news -- they've just released Clap Your Hands, their fourth album, and, yeah, they still rock. Well, not specifically for you -- Gwendolyn's music is still pretty much targeted at preschoolers, though perhaps a kindergartner or two might want to listen in and dance along. Sunny pop (with a few other genre explorationss thrown in) plus preschooler-oriented lyrics, that's always been the GTG formula, and they don't stray from it here. "Clap Your Hands" is essentially a movement song wrapped inside horns and harmonies -- it'd collapse under the weight of its simple lyrics ("You know me / I like to clap my hands / Clap, clap my hands") if it weren't an insanely catchy and well-produced tune. "Alright, Okay, Just Fine" swings while explaining feelings and emotions at a preschool level. "Smile, Smile" sounds like a lost track from a Muscle Shoals kids record. The gentle rocker "Evens and Odds" is the best song about the subject (sorry, TMBG), while "Mix It Up" mixes together crayons and diversity along with an insanely catchy chorus. The album's not perfect (I'm lookin' at you, "Speak-A-My-Language"), but there are a lot more hits than misses. The 27-minute album is most appropriate for kids ages 2 through 6. You can hear clips of the album at its CD Baby page. Clap Your Hands will have you doing that along with your kids in spite of yourself. Tons of fun for the preschoolers you know and love. Definitely recommended.