Interview: Steve Denyes

Steve Denyes

Steve Denyes

One of the things I admire about musicians who've been musicians for awhile is just that -- they've been musicians for awhile.  It's difficult enough to have the same job for a number of years, but when that job is primarily one which generates creative products as an output, keeping things fresh over a long period of time is particularly difficult.

I Chew album cover

I Chew album cover

Which is one reason I wanted to talk with Steve Denyes of the band Hullabaloo.  Their brand new album I Chew features songs mostly written last year when the San Diego-based Denyes set himself the goal to write and record one song a day for nearly a month.  Anyone who wants to challenge himself that way has figured out how to keep things fresh and wants to try new things.

And indeed, when I suggested that instead of doing an interview over Skype to record it, rather than by phone or over e-mail, Denyes was game to sign himself up for Skype and tackle this interview in a slightly different manner.

So in just a shade under 30 minutes you can listen to his thoughts on the growth of his band, the origins of I Chew, and how surfing helps him be a musician.

Photo credit: Natalie Chiles

Steve Denyes interview
Stefan Shepherd

Review: !Come Bien! Eat Right! - José-Luis Orozco

José-Luis Orozco ¡Come Bien! Eat Right! album cover

José-Luis Orozco ¡Come Bien! Eat Right! album cover

It is easy to think of Smithsonian Folkways Recordings as the record label of Ella Jenkins, Pete Seeger, and many more who joined the label more than a half-century ago.  But they've also signed up to release recordings from artists not even born when Ella and Pete first started recording -- hi, Elizabeth Mitchell, welcome, Sarah Lee Guthrie!

From that perspective, the fact that Los Angeles-based musician and educator José-Luis Orozco has joined the Folkways fold is both entirely fitting and novel.  If you're not familiar with Orozco's work, then there's a good chance that you haven't been in a classroom with young kids, particularly a classroom with bilingual kids.  Since 1971, Orozco has released 15 albums; his website's biography page says those albums (along with a DVD and 3 songbooks) have sold more than two million copies, and I believe it -- if you look at the iTunes and Amazon best-selling children's music lists, his albums, particularly De Colores and Other Latin American Folk Songs, are often found there.  (That album is one of the very few kids' music albums that my wife, who's taught young kids and in classrooms with lots of bilingual speakers, introduced to me.)

Which brings us to !Come Bien! Eat Right!, Orozco's 16th album and his first distributed through Smithsonian Folkways.  In one sense, it feels completely natural that a musician and educator of Orozco's standing should be part of a record label so committed to celebrating and spreading the folk music of the world here in the United States (and around the world).  And in another sense, you're surprised that this grandfather isn't already part of that family and that it's taken all this time for the two to finally partner.

The album's theme, in case you haven't already guessed it from the title and album cover, is healthy eating.  It features 38 songs, the first 19 in Spanish, followed by the same 19 songs in English translation.  So, for example, the album leads off with "Damos gracias," a simple blessing sung in Spanish and accompanied only by percussion from producer and well-known Latin musician Quetzal Flores -- and then you can fast-forward nineteen tracks to track #20, "Thanksgiving," and listen to the same song (and arrangement) sung in English.

On Orozco moves through the meal -- fruits, vegetables, proteins, grains.  Musically, the accompaniment is generally simple, but I think it shines best when it features other Los Angeles musicians, such as Gabriel Tenorio on the quinto sonero on "La comida en mi plato/The Food on My Plate" or Tylana Enomoto on violin on "Verduras/Veggies," one of my favorite tracks.  There's some call and response on the album featuring a couple of kids, and, of course, "De Colores" makes an appearance, nimbly reworked into a song called "Sabroses colors/Tasty Colors," all about eating fruits and vegetables with healthy colors.  And -- yay! -- "Chocolate," a classic traditional song that's always fun to sing along with.

You might think that this album is "educational," and... it totally is.  I don't speak much Spanish, and so I could listen to the Spanish language tracks and enjoy them, but when I switched to the English-language versions, some of them seemed very... educational and lacking some of the vibrancy I felt on the Spanish-language track.  Now that's OK, but if you -- or your kid -- are expecting something freewheeling, this album isn't that.  There are definitely songs you could pull out and place onto a broader playlist, but as something to listen to 62 minutes straight without an explicit expectation that your family will learn more about healthy eating or learning a different language, it's not designed for that.

The album will be most appropriate for kids ages 3 through 7.  I feel almost contractually obligated (note: I'm not) to mention that the album packaging and liner notes are lovely -- in this particular case all the notes are produced in Spanish on one side, and English on the other.    The lovely illustrations are by Elisa Kleven.

Orozco's music has been heard by literally millions of kids, and his new association with Folkways is not the culmination of a career, but just another feather in the cap of a much-beloved and well-respected musician and educator.  It wouldn't be the first choice of mine for an introduction to Spanish-language music, but for educators seeking to broaden their Spanish-language collections or looking for something bilingual to address issues of eating and nutrition, there's a bounty here.  And the rest of us can certainly find a number of tracks to nibble on.  Recommended.

Note: I received a copy of this album for possible review.

Review: Odds & Ends - Andrew & Polly

Andrew & Polly - Odds & Ends album cover

Andrew & Polly - Odds & Ends album cover

Sometimes album titles don't signify much, but in the case of the brand-new album from Los Angeles-based duo Andrew & Polly, I think it's 100% on point.

Just like the random collection of stuff on the shelf on the album cover art, the tracks here are an assortment of tiny treasures and tracks with less heft.  Unlike many albums, in an interview with them, the duo noted that the album reflects a collection of songs they've written and recorded over time.  Sometimes the results are magical -- "Little Bitta You," a previously-released single, is a zippy and sweet folk-pop song, for example.  And their new song "Grapes" is a strong contender for catchiest kindie track of the year, with a singalong chorus filled with "la la las."

At other points, it does feel like one of those "B-Side" collections that your favorite power-pop band might have released after fifteen years together -- your XTCs, your Fountains of Wayne. There are three covers ("Forever Young," "Here Comes the Sun," and my favorite of the three, "Ghostbusters"), for example plus "Critters," their non-religious take on Bill Staines' classic "All's God's Critters" ("got a place in the choir / some sing low / some sing higher...").

Andrew & Polly have been devoting a lot of attention to their podcast for kids Ear Snacks, and some tracks feel very much like excerpts like that.  "Ghostbusters," with a lot of kid-interaction, was sort of a prototype for the podcast, while "Fruitphabet" is a playful thing, more sound-and-word-play than pop song.  At 28 minutes in length, the album's brevity -- it's barely more than an EP -- is one more thing that makes me think of this as a "B-side" collection.

The album is most appropriate for kids ages 3 through 6, and I should make clear that my middle-aged perspective on what an album "is" (or isn't) won't matter to the kids, who will sometimes groove and other times laugh to the folky, smart, and weird stuff on Odds & Ends.  Ear Snacks is a genuinely original podcast as well.  Andrew & Polly can write such sharp music, that I'm very much looking forward to the next set of songs from the duo, which they say will be a coherent concept album.  In the meantime, there are some tiny treasures on this album, and those will do just fine.  Recommended.

Note: I was given a copy of the album for possible review.

Listen To This: "Sunshine Family" - Mista Cookie Jar (feat. Aaron Nigel Smith)

"Sunshine Family" single cover

"Sunshine Family" single cover

It's another super kindie duet from SoCal's Mista Cookie Jar and the Chocolate Chips.  This time, for "Sunshine Family," MCJ brings in Portland's Aaron Nigel Smith for a summery jam with reggae, dub, and a bit of hip-hop in the mix.

Co-written by Mista Cookie Jar (aka C.J. Pizarro) and Smith, you can think of it as a big (BIG) I-5 duet from the the West Coast artists.  (And no offense to the East Coast, but the West Coast OWNS summer.)

Mista Cookie Jar and the Chocolate Chips (feat. Aaron Nigel Smith) - "Sunshine Family" [Bandcamp]

Listen To This: "Hold On to Your Dreams" - Mista Cookie Jar and the Chocolate Chips (World Premiere)

Hold On To Your Dreams

Hold On To Your Dreams

Let's hear it for those artists who figure out what they want to do, outline a plan to achieve those goals, and then actually follow through.  (I say that as someone who has both succeeded and failed in doing so.)

Mista Cookie Jar has been releasing a single per month since fall 2014, and his latest single, "Hold On to Your Dreams," is his seventh in a row.  That's pretty impressive for music releases.  This new track has a different sound than a lot of the uptempo, electronic, soul stuff he's more known for, but CJ suggests that maybe it's his "Appalachian/country roots? --  [his] parents are Filipino but [he] grew up in Alabama/West Virginia before [he] became an LA dude LOL."  The song is a hoedown duet with Miss Tembra Campbell that CJ's been working on for years at backyard bonfires and late night jam sessions, so unsurprisingly its message of hard work and dedication feels lived-in, earning the use of the pots, pans, and pickle jars as accompaniment.

I'm pleased to provide the world-premiere of the stream -- listen below, and click through if you'd like to buy.

Mista Cookie Jar and the Chocolate Chips - "Hold On to Your Dreams" [Bandcamp]