Review: Invisible Friends - Dog on Fleas

When interviewed about their music, it is not uncommon for kids musicians to say that they're not recording for kids.  It's a statement that for many artists puzzles me, because while I totally get what they're saying -- good stories and songs should resonate with a diverse audience -- it seems to deny what is obvious: songs about playgrounds or going to school or getting a dog are written with kids in mind.  They are kids' songs, no matter how good they are or how appealing to adults they may be.

New York's Dog on Fleas are one of the few artists making kids music whose music, stripped of context such as album art or a review on a website such as this, could legitimately be not described as "kids music."  Their brand-new album Invisible Friends taps into a feeling of childlike wonder and exuberance without ever sounding like somebody was tapping into memories of (anyone's) childhood.

What the songs do sound like, at times, are half-remembered childhood memories themselves.  The lovely and gentle "Fortunate Mistake" tells the story of a mouse (or someone the size of a mouse) whose name is indeed "Fortunate Mistake" while echoing the textures of Paul Simon's Graceland album.  (The lyrics "I bring good luck wherever I go / I bring good luck to you" sound to me like a blessing.)  On the other, more-minimal hand, the sung lyrics for the song "Party" are as follows: "I like to party, party, party / I like to party, party, party / Party, party, party, party, party, party, party!"  There's a little variation in that perhaps, but for the most part it's an excuse for Dog on Fleas mastermind Dean Jones to get his Memphis horns on.

Notwithstanding the occasional dance tracks, it's mostly a laid-back series of songs, with tracks like "Tell Me What You Love" or the group sing-along "Peapod" being the sonic equivalent of laying on your back in the shade of tree in a grassy field watching clouds go by.  Longtime fans of the band will may hear of lot of the last Dog on Fleas album, Beautiful World, on this new disk, but with some of the more electronic elements dialed back -- this is a much more organic album.  I liked Beautiful World, but I like this much more.

Given how much I've talked about the 42-minute album's all-ages sound, the idea of an ideal age range is sort of silly, but it's probably more appealing to kids ages 3 and up.  You can listen to the whole album here. 

Don't misunderstand me -- there's a lot of excellent kids music out there that is written with kids in mind, and I think that's great.  (Really, I think people should embrace that idea.)  But it's nice to have bands like Dog on Fleas blurring the distinctions between what is kids music and what isn't.  Like a preschool collage, Invisible Friends mixes stuff together that adults have long stopped mixing together but in spite of that (or possibly because of it) produces art.  Highly recommended.

A Tasty Review: Four Kids Music Albums for Locavores

Delicious album coverYou don't need to have been locked up in a fast-food restaurant's storage closet for the past few years to know that eating food produced locally has become a Big Thing. Playing around in the dirt and growing fruits and vegetables with bright colors? No wonder that last year's Maria Sangiolo and Friends' album Planting Seeds was just the tip of the iceberg (not the lettuce) when it comes to the mico-genre of "Farmers Market Kindie." I'm not a huge fan of "lesson" music, but it's possible to strike a good balance between entertainment and education. Here are four recommended kids music albums whose musical benefits are as good as the lessons inside. (Note: several food metaphors follow. Tread cautiously.)

The first (and most diverse sonically) album is from Bay Area trio Orange Sherbet, who will release their first album in five years, Delicious, on May 15. The collection of mostly original tunes was inspired by band member Tamsen Fynn's experiences with the Local Foods Wheel, a tool for discovering local, seasonal food in the San Francisco Bay Area. The result of the album Fynn's made with bandmates Jill and Steve Pierce is a sound that's part playground chant, part lounge-jazz, and and a few other genres thrown in, too. (Yes, that is a Santana reference in the Latin guitar rock of "Rice & Beans.) And while sometimes albums that feature lots of different musical genres sound awkward in totality, the result here is much, much closer to the successful, eclectic mix of a Dan Zanes or Dog on Fleas album.  The album's most appropriate for kids ages 5 through 9; you can listen to 3 of the tracks here. (Sound intriguing? Check out the band's final Kickstarter campaign.) With Delicious it's likely you'll want seconds.

Groovin' in the Garden album coverNext on the grocery list is Groovin' in the Garden, from New York musician and storyteller Laurie McIntosh, aka Story Laurie. It's focuses much more on playing in the garden. So there are a fair number of traditional or well-known songs ("Shoofly Pie", "Five Little Monkeys", "Hokey Pokey") mixed into the originals from McIntosh. Her partner in crime for the album is New York state producer and musician Dean Jones from the aforementioned Dog on Fleas, who plays nineteen instruments, sings, and probably catered the recording sessions for all I know. It's a little more narrowly folk-focused than Delicious (and geared toward kids slightly younger, 3 through 7), but still features variety in its menu selections.

Grow album coverAndrew Queen represents Canada in this quartet of food-based albums with his latest album Grow. While the fine liner notes feature recipes and some songs -- "Macaroni and Cheese," the traditional "Fried Ham" -- fit very clearly into the food theme, others such as "The Witch's Brew" and "Worms" (no, it's not a paean to composting), seem to, er, strain the theme.  It shares the folk tradition with the other albums here, and musically, the use of instruments like fiddle, banjo, and a well-deployed tuba is reminiscent here.  (There's also a very communal sound to the vocals.)  Queen is more interested in telling stories in song than even Laurie, so if you're looking for something in that vein for kids ages 5 through 9 (and don't need a whole album of songs praising CSAs), this will fit the bill nicely.

Green & Growing album coverAnd for dessert, we have Shannon Wurst's Green & Growing. I've already praised the album packaging, but the songs inside are nice, too.  They are definitely on the preachier side of the food issue (with detours into energy-saving and recycling) -- so if you don't lessons mixed with your music, you're probably better off with the other albums (particularly the first two).  The object lessons aren't always dry, though -- the brief "Label Able Mable" is a tongue-twisting finger-picking ode while "Criss Cross Applesauce" is a soulful activity song.  (Plus, you have a dinosaur on "Recyclasaurus Rex Visit").  The album's best for kids ages 4 through 8, and you can listen to a few tracks here.  For a country-folk take on ecologically sound eating and living, Green & Growing will hit the sweet spot.

Video: "There's a Band in My Head" - Dog on Fleas

Invisible Friends album coverDean Jones is a busy man -- producing albums for folks like Recess Monkey and Story Laurie while putting the finishing touches on a BRAND NEW DOG ON FLEAS ALBUM!  (Yes, I'm shouting, because that's great news, people.)

On top of all that, there's a new video to go along with a track from the new album, Invisible Friends, out in June (or April 24 via teh Internets).  The video for the song "There's a Band in My Head" is homemade, lo-fi, weird -- a little delirious, even -- and in its collage is greater than the sum of its parts.  Sorta like the song -- and band -- itself.

Dog on Fleas - "There's a Band in My Head" [YouTube]

 

Itty-Bitty Review: Love Me For Who I Am - Brady Rymer

LoveMeForWhoIAm.jpgDeciding to record an album inspired by spending time with students at a school for children with alternative learning styles, as Brady Rymer has done with his just-released album Love Me For Who I Am could have resulted in an album stickily sweet and boring to most listeners. But on this often rollicking album, Rymer successfully avoids both traps. Rymer's strength here is his ability to craft in song the feelings of children who have autism or Asperger's. He moves way beyond sympathy and into empathy, the ability to understand the feelings of others. That's because many of the emotional characteristics particularly felt by those children are shared in varying degrees by the rest of the population. There isn't that much of a gap between the child resisting getting dressed (in "Who Wants To Wear Shoes?") and the naked child running around in Rymer's "Dilly Dally Daisy" from a few years back. "Picky Eater," "I Don't Like Change," "Tune Out" -- from the album titles alone, you probably know a kid who would identify, even if they don't register anywhere on the autism spectrum. I think a child who isn't autistic might not want to listen repeatedly because it's not written from their perspective, but I think few kids wouldn't identify with at least a couple tracks. In any case, it's the most empathetic kids album I can think of in quite some time. Rymer marries those sentiments to his typical roots-rock sound. Once again he gets great support from his backing band, the Little Band That Could, producing a full-bodied sound with echoes of Mellencamp and Springsteen. I particularly liked "Squish Me Squeeze Me," which uses backing horns to great effect (and rhymes the word "anaconda" with "back of a Honda" in a completely non-gratuitous way). Rymer's duet with Laurie Berkner on the tender "Soft Things" is also worth repeated listenings. The album is most appropriate for all kids ages 3 through 7, though that may be different for kids who actually have autism or Asperger's Syndrome. You can here the whole album at Rymer's website. That Love Me For Who I Am is highly recommended for families (or classrooms) affected by autism or Asperger's is terribly surprising. What is more surprising, perhaps, is that other kids and families would probably enjoy listening to the album (or at least a fair number of the songs) on a regular basis. Recommended.