Itty-Bitty Review: Underbirds - Underbirds

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Kids music has seen a bunch of collaborations recently as kindie artists recognize strength in numbers, but most of those collaborations have been one-off pairings.​  Supergroup side projects? Not so much.

So for a couple guys obsessed with pop radio sounds of 25+ years ago, Todd McHatton and Morgan Taylor are pretty forward-thinking as their pairing Underbirds marks what might be the first ​kindie supergroup built for the long haul.

​Of course, "kindie supergroup" implies the music on their self-titled debut is music recorded specifically for kids, and there are times when that's not entirely clear.  Sure, songs like "Brilliance," whose narrator has clearly just mastered some talent, or "Here Comes My Friend," can be easily heard as kid-focused.  But few of these pop gems sound like they were crafted with your local 5-year-old front-of-mind.  Rather, they're songs about friendship and daring and love and (especially) nature that happen to be kid-friendly.  If you gave this disk to your friend who has kept his or copy of Matthew Sweet's Girlfriend​ ever since college [raises hand] and just said they'd probably enjoy this new album, they'd enjoy it free of the cultural baggage that comes with being an adult enjoying "kids music."

​At barely 25 minutes long, Underbirds​ is barely more than an EP, but it's filled with songs accessible to the entire family; it's probably most appropriate for kids ages 5 and up, lyrically.  (Listen to "Brilliance" here.)  Whether your kids are 4 or 14 (or you're a kid-at-heart 34-year-old), the pop-lover within you will find something to adore.  Here's hoping partnerships like Todd and Morgan's last.  Definitely recommended.

Concert Recap: Underbirds (New York City, April 2013)

I don't know how many artists I would have skipped a Laurie Berkner talk for in order to see them perform live.  Probably not many.

But a chance to see the debut live performance of Underbirds, the superduo of Morgan Taylor and Todd McHatton?  At Symphony Space, whose family programming I've admired from afar for awhile?  While it was a tough call, I found myself catching the 3 train to the Upper West Side last Saturday morning, knowing I'd be heading back to BAM Fisher and Kindiefest later.

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Taylor is, of course, a fairly regular live performer with his Gustafer Yellowgold gigs, but McHatton doesn't play live much at all.  Add to that the fact that Taylor and McHatton had only met three times over the past year in putting together their debut album, and I was very curious as to how it would sound.

As it turns out, pretty nice.  As a duo, they had an easygoing feel.  I would not describe the show as being especially dynamic -- essentially it was a couple guys with guitars -- but as Taylor does at his Gustafer gigs, they used visuals to help hold the attention of the kids in the audience, though these visuals were far more abstract.

The project itself is a little odd in that it's not entirely kids music.  It's not *not* kids music, either -- but if it hadn't been part of the "kids" series (and the presence of many kids, including McHatton's daughter on their "cover" of McHatton's own massive kindie hit, "I Think I'm a Bunny"), a listener could have been forgiven for thinking the concert was a curious set of hook-friendly songs about nature and gentle love designed for adults.

The duo joked that it might be their last concert, though because their debut is fairly brief they had to play several new songs just to make the concert long enough (The new songs "Frame" and "So Close to You" both fall in both that "not entirely kids music"  and "awesome" categories.)  While I doubt that Underbirds will be the side project that eventually dwarfs their main gigs, it'd be nice to see the two of them continue to develop their partnership and play a few more shows.  It'd be a shame to let such a good friendship go to waste.

Underbirds - "Bright Leaf" (Live at Symphony Space) [YouTube]​

[Disclosure: I was provided with complimentary admission to the show.]

Interview: C.J. Pizarro (Mista Cookie Jar)

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C.J. Pizarro ​-- AKA Mista Cookie Jar -- has a musical style that is as brightly multi-layered as the outfits and sets of his many videos.  It stands out and while positivity is in no way in short supply on the kindie scene, the way MCJ weaves that into his entire musical philosophy is stronger than most.

In the interview below, Pizarro talks about his many childhood memories (musical and otherwise), how his career as Mista Cookie Jar and the Chocolate Chips has evolved, and news of lots of new projects from him.​

Zooglobble: What are your first musical memories?

C.J. Pizarro: My very first musical memory is singing "Tomorrow" from Annie into my sister's hairbrush in the mirror as she recorded me on the family dictaphone. I was 3 or 4. The proof is around somewhere in one of my parents' drawers today. 

I could kill hours with that dictaphone just recording myself goofing of, interviewing my family, or even just [recording] sounds around the house. I'd even record parts of TV shows as I watched them -- Pinwheel, DuckTales, Gummy Bears, Growing Pains, Press Your Luck, You Can't Do That on Television… Playing it back was like examining a bag of treasure. Noises like music to my ears. 

OK, one more! Picture this: It's the 80's. A Filipino family of 5 cruises the mall parking lot in a wooden panel station wagon, no air conditioning under a HOT Alabama sun. Out the 8-track car stereo we're bumpin' the Everly Brothers and the Beatles.  "Bird Dog," "All I Have to Do is Dream," "Hard Day's Night," "I Wanna Hold Your Hand."  Mama, Papa, and 3 kids in the back, all singing along. Precious memories, I tell ya!

What first made you think about making music for families?

Before I ventured into the world of kindie, I had been playing music for years at a convalescent hospital as a kind of "strolling minstrel" music therapist. The hospital was like a second home to me and the folks there were my family. In fact, it's where I met Aunt Carol from The Love Bubble. We had weekly patio concerts and I would stroll room to room with my guitar each day. I would rock a lot of classics -- Sam Cooke, Beatles, Harry Belafonte, Bob Marley, and a bunch of 50's stuff too. Performing day after day, I needed to expand my repertoire. I wanted to write something personal for them, something that was more directly an expression of me.

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At the same time I had just ventured into the world of fatherhood. My step-kids were way into Dan Zanes. I'd never really heard any of his stuff since family life was new to me. But I fell in love instantly. A brand new world I never knew existed -- rooted in so much culture -- something entirely fresh and wholesome at once. It floored me when I first heard Father Goose. It was always the kids' favorite part of the albums. I thought, "Wow! This is magic." After some googling, I realized there was a much bigger movement out there called, "Kindie." I thought, man, I wanna be part of this world!

Inspired, our musical world, the Love Bubble, evolved quite naturally. It was the perfect way to connect my giant family.

Was Ava's (and Lucas' and the rest of the kids') participation part of your concept for Mista Cookie Jar from the beginning?

The kids were always involved but I could not predict their growth.  The Love Bubble was born from hanging out with Lucas and Ava, just having fun in our pretend world. We'd make up little jingles, poems and characters each day, not realizing we were creating a career.  "Joey" was Lucas's invention, a dog who could bark and talk. He just started barking, and we sang, "It's Joey the Dogg!" whenever he came into his character.

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Ava always had a few rhymes up her sleeve, some playground rhymes like patty cake and personal ones too, probably influenced from her mother's roots in old school hip hop. I wrote a rap for her on our song "Circles" -- my favorite part of The Love Bubble. She was 7 at the time. It just blew me away how easy it was for her. Eventually, she learned the "guest" raps on the album. Her memory is crazy good, the best in our family. Our first few shows were with the kids -- Lucas was 4, Ava, 7, and their best friend Mikyla, 6. They were a huge hit with the crowd. Definitely had that cute factor going. 

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As the kids grew, their roles got bigger. Our second album features Ava in nearly every song. I even wrote a little rap for Lucas, but I think he's more comfortable hamming it up in front of a camera. Now when we play a show, the audience is generally younger than they are. Ava is almost 12 and Lucas is 9 now. Their onstage persona has become more of the bigger brother/bigger sister role. They have a way with kids.

Where do you see your style of music -- sunny, funky, positive -- fitting into the broader kindie scene?  What do you think your particular niche is?

As a lover of music and the diversity of culture, I try to keep open to all kinds of genres. Though I have my roots in certain styles--hip hop, folk, reggae, 50's bubblegum--by nature I'm a chameleon. I see these styles infused and progressing into something different in the years to come. Who knows? The kindie scene seems like a natural fit. It's the kind of musical genre that is genre-less or all-genres. What draws people together is the idea of community and a culture which holds the child as numero uno.

It's hard for me to say without sounding pretentious, lol. You'd probably know best. I've heard  "Outkast for families" or "5 hour energy drink of the kindie world." I dig it, man, for sure. We have a soft side too. You could say we're a party band, but I'd like to think we bring a natural adrenaline rush, one that elevates and doesn't leave you burnt out and empty. Um, organic Red Bull? Hopefully, more like a full course meal.

We try to offer a variety of dimensions in our albums, something for everybody, at any age with any track. Each song has a unique life to it, its individual niche carved out for itself. While at the same time, I try to make each song accessible to all who want it. I guess you could say we have a cut and paste niche -- post-modern kindie? Ultimately, I just try to create something beautiful -- sonically, visually, and poetically. Something catchy and fun to immediately indulge in but with wonders to ponder as you grow with the music.

What did you learn about making music for families -- as a band, as opposed to playing in classrooms -- between the first and second albums?

The first album was conceived with many of our extended family involved. I was reaching out to discover what the vibe was, what my peeps were all about. I'd co-write a lot of the songs and get as many artists, friends and family across the U.S. in on it as possible. It made for an album dear to our hearts. But we had to rework the songs to figure out how to play them live.  Also, branding-wise, we weren't too sure of my look. On the album cover, I'm wearing fairy wings and a woman's muumuu from Goodwill. Pretty hilarious. We hadn't even come up with the name Chocolate Chips yet. I think we called the kids "Tha Big Seeds" at our first show, lol. Didn't really stick.

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After years of touring The Love Bubble, Ava and I grew more of a dynamic on stage. We had a distinct sound that evolved from the first record. Eventually, I would write more songs to really hone in on this. She got so good I wanted to give her much more of the spotlight. It grew into much of what's on our second album, Ultramagnetic Universal Love Revolution

What is your favorite part of the music-making process -- the writing, recording, or playing live?

As a process, writing and recording are the same for me because I do them at the same time. I enjoy it the most. It's a thrill to start with nothing and by the end of the session you might have just reinvented the the song of life. I love it. Making videos too, it's the same feelings all over again and then some when we release them to the public. 

Playing live to me can be stressful sometimes. But I have to say, connecting with the audience is the BEST feeling in the world. I'm always so happy after a good show. It's basically the same feelings of writing, recording and making videos, but then some. It's triple the pleasure hearing praise for the Chocolate Chips. This enormous proud feeling comes over me and I want to take everyone out to eat even when it pinches my pocket just a little too much.

You're part of a Kindiefest panel on self-management.  Without stealing your thunder from the panel, what's the most important thing you've learned over the past couple years about managing your work, family, creative, and personal life?

It's a tightrope act for sure. Part of the allure of this business is being able to integrate my family life with my artistic passions. I'm an obsessive artist by nature. What keeps me grounded is my family, my friends, and the community. When there's love in my heart with what I do and how I live, I feel I can fly anywhere and dream as big as I want to. Everything else naturally falls into place. 

Also, always backup your hard drive!

What's next for you?

We're working on a stop motion animation/green screen video for "Call Me Mista Cookie Jar." It's kind of a period piece, maybe a hundred years ago or so--but in a magical realm. Kind of like Wizard of Oz. I'm just psyched because I get to turn one of my fedoras into a Buster Keaton hat. We're getting together and having craft dates with some friends. It's a slow, meticulous process but we love it. Our new favorite thing. I'm absolutely psyched to finish the project. Visually, some exciting new territory. Inspired by Terry Gilliam and the amazing "Inspiration" video by Cat Doorman. Hopefully, we can do the medium justice. But you can bet we'll give it our all.

Also got a project with Todd McHatton. I think we're calling it, "Todd & Cookie." We've got about 2 songs now. I think the term, "Cheech and Chong for kids" was thrown out. But that just sounds wrong.

It's been so cool working with him though. All Postal Service style, that is to say, we haven't worked on it in person once yet. Just Dropbox. It's freeing working with Todd. We're unlocking some mad id in ourselves while at the same time he's such a sweet, talented guy with such a tender writing voice. But I do have to say, the Underbirds will be a tough act to follow! They're awesome!

New album in the works too. Should be interesting, the kids have grown so much since the last batch of ditties. I was worried for a bit they might not be into it anymore. For a minute it seemed like Minecraft and Bieber fever was getting the best of them, but they always come back around. The music is so integrated in our lives, we'll just have to let it grow up with them. So far, we've got a bit of Motown, a bit of old Americana, ska, & some trap music influences. I don't know, that's seriously what I'm working with at the moment…?!

Mista Cookie Jar photo by Andrew Cho; Ava Flava and Lucas photos by Market Street Productions

Holiday Kids Music 2012 Roundup

You wouldn't know it by reading this space, but there's been some holiday kids music released this Christmas/Hanukkah/winter-holiday-of-your-choosing season.  Not as much as in years past, but enough stuff worth your time checking out (and my time writing up).

I'll be reviewing some albums in a subsequent post, but here are a few tracks to stuff in your kids' stockings.

Free Downloads

The Not-Its change gears and offer up a tender, acoustic... aw, who am I kidding?  There are loud guitars, natch.  It's "Rockin' Around the Christmas Tree," not "Tip-Toein' Around the Christmas Tree." 

OK, for those of you who really did need a slower, wintry song, try Alex and the Kaleidoscope Band's "Snow Day."

Bari Koral offers up her take on the familiar gingerbread man tale with a zippy "Gingerbread Man."

Brady Rymer is spending his holiday season "Untanglin' the Christmas Lights," though the song seems way too happy for that frustration.  Available here for the price of an e-mail.

 

It's not quite a Christmas (or Hanukkah or even Halloween or Arbor Day) song, but it feels appropriate for the season.  SteveSongs gifts you "Our World" -- just click on this link to start the download process.

Streams

My favorite kindie Christmas song this year?  Groovy David's "Sorry Santa!" has a funky groove and horns.  Horns, people!  (Hanukkah 2013 is, like, only 11 months away, so save "The Great Dreidel Tournament" 'til then.)

Randy Kaplan delivers a nicely understated version of the classic "Frosty the Snowman."  With the harmonica, it's got a touch of Dylan.  (Again, Hannukah 2013 playlist early addition?  "Oh Hannukah")

Todd McHatton's Christmas Songs started out as a mini-EP, then over the years became a full EP, and now at 11 songs, I think it's graduated to full album status.  McHatton added another song this year, "I Think I'm a Christmas Bunny."  Download the whole thing for just $1.99, and as an extra stocking stuffer download "Ooh Shiny" (appropriate for a season of gifts and ornaments) for free.

Other Stuff

The great Gustafer Yellowgold (opening for The Polyphonic Spree's 10th Anniversary Holiday Extravaganza in six cities this holiday season) has been running videos from his Year in the Day DVD all year -- check out the ever-awesome "Fa and a La":

It's a little brief, but feel to check out the Spotify Holiday Kindie Playlist 2012 (or listen here in Spotify directly)

 

  • The Laurie Berkner Band – Children Go Where I Send Thee
  • Renee & Jeremy – Deck the Halls
  • Mr Richard and the Pound Hounds – Up in My Christmas Tree
  • The Jimmies – Mashamallow World
  • Key Wilde & Mr Clarke – Angels We Have Heard on High

 

Finally, it was a one-time-only download last year, but you can always stream Kris Kindie, a fun collection of holiday music curated by me in a mad rush last December.

Happy holidays, y'all!

Radio Playlist: New Music November 2012

Time to post another Spotify update for new music (see October's playlist here).  It's limited, of course, in that if an artist hasn't chosen to post a song on Spotify, I can't put it on the list, nor can I feature songs from as-yet-unreleased albums.  But, hey, there's always next month.

Check out the list here or go right here if you're in Spotify.

**** New Music November 2012 (November Kindie Playlist) ****

Todd McHatton – Fuzzy & Orange
Doctor Noize – Welcome to Grammaropolis
The Harmonica Pocket – Turkey in the Straw
Big Bang Boom – Bicycle
David Tobocman – Run Run, Race Car
Boxtop Jenkins – Wag More (feat. Indigo Girls)
Vered – At 63
Jennifer Gasoi – Little Blue Car
Elizabeth Mitchell – May This Be Love
Randy Kaplan & Kristin Mooney – John the Rabbit (feat. Jack Saxenmeyer) (from PLAY Music Vol. 2)
Helen Austin – Five Little Things
The Tumble Down Library – Bartholomew
Jonathan Grossman & the Nerdz – Who I Am
Beth Nielsen Chapman – The Big Bang Boom
Zak Morgan – Nancy Jane

 

Introducing Z7: 7 Artists, 7 Songs, 7 Days. Lucky You.

I've been pondering how to improve the service I provide to you, dear reader, and like a bolt out of the blue, it hit me.  What you want, dear reader, is really good music for the whole family, delivered with just a click or two to your computer.  Oh, yes, make it free, please.

Done.

Introducing Z7, a set of seven songs from seven just-released or soon-to-be-released albums.  All the songs are top-notch, and the albums they come from are going to appeal to a lot of you as well.  What's more, these are exclusive downloads -- you won't be able to download them for free anywhere else during the seven days they're available.

Wait.  What do you mean, "seven days they're available."

Well, you didn't think they'd be free 'til the end of time, did you?  No, you've got exactly seven days to download the tracks before the files go away.

OK, how awesome are these tracks?

This awesome:

The Board of Education - "I'm Not Here Right Now"
Doctor Noize - "Noun Town" from Grammaropolis
Todd McHatton - "So Nice to Meetcha"
Elizabeth Mitchell - "Blue Clouds"
Elena Moon Park - "Poong Nyun Ga"
David Tobocman - "Escalator"
Vered - "Hands in My Mouth"

You're right, that is awesome.  Sign me up.

Well, I can't do that... but you can.  Simply sign up for the Zooglobble newsletter and if you do so by next Wednesday morning (October 24th), I'll make sure you get the links for this most recent offering.  And even if you stumble upon this after the 24th, sign up anyway -- November's offering is almost set!

Thanks to the artists for participating and to you for signing up.