Jazzy Ash Goes NPR

Jazzy Ash - Bon Voyage album cover

Jazzy Ash - Bon Voyage album cover

"Where y'at?"  This is, according to several sources, a New Orleans way of saying "hello."  So a big "Where y'at?" to all of you who've found your way to this website looking for information on Jazzy Ash, AKA Ashli Christoval, and her new album of New Orleans-inspired music Bon Voyage in the wake of hearing my review on NPR's All Things Considered.  (While I've been to New Orleans a couple times, I claim no expertise in N'Awlins language and will stop forthwith.)

You can -- and should -- listen to that review on NPR, but if you'd like, you can read my original review (similar in many ways to the NPR review) as well as read some thoughts from Christoval herself on those two Ellas I talk about in my review -- Ella Jenkins and Ella Fitzgerald.

Regardless of you're a new listener or longtime reader, thanks for stopping by! 

Review: Bon Voyage - Jazzy Ash

Bon Voyage by Jazzy Ash album cover

Bon Voyage by Jazzy Ash album cover

New Orleans’ musical tradition has produced many memorable artists.  But while Jazzy Ash isn’t the first kids musician to use the city of New Orleans as musical inspiration, for a region with such a vital musical heritage, when it comes to kids music it’s still been underrepresented.  With her latest album Bon Voyage, Jazzy Ash continues to further fold New Orleans’ rich musical tradition into songs for the kindergarten set.

Jazzy Ash is the nom de plume of musician Ashli Christoval.  Although her mom was from New Orleans, her dad from Trinidad, and she spent summers in New Orleans with her mom’s aunts and grandparents, it wasn’t until a couple years ago on that she really started to incorporated the music of the Crescent City into her own recordings.

On Bon Voyage Christoval covers one of New Orleans’ best-known native sons, Louis Armstrong, on “Heebie Jeebies,” a song he made famous.  But beyond the Dixieland jazz sound strongly identified with the city, Jazzy Ash uses her bright, playful voice in other genres more commonly associated with the rural areas around the city, like the zydeco sound on “Leap Frog.”  And while a couple songs draw attention to their New Orleans origin, for the most part Christoval uses the bayou mixture of jazz, blues, and creole as the starting point for songs that could be appropriate for Louisiana, but might be at home as well in her current home state of California (see the gypsy jazz track “Firefly").

The album is most appropriate for listeners ages 3 through 7, and while you can't stream the whole thing online, you can listen to "Heebie Jeebies" here (and pick up a beignet recipe here.)

With Bon Voyage, Jazzy Ash fully connects with her own family’s musical heritage, yet incorporates those 100-year-old traditions into 21st century kids music.  It's a buoyant and warm-hearted album for the younger set.  Definitely recommended.

Note: I received a copy of the album for possible review.

Itty-Bitty Review: Back in Blue - Imagination Movers

The Imagination Movers were essentially kindie before kindie became cool.  Created in the early 2000s, the Lousiana-based band independently released 3 albums of kids' pop-rock before being recruited by Disney for their eponymous TV show on Playhouse Disney (now Disney Junior).

Their latest album Back in Blue  is released by Disney and features songs from the third season of the TV show, along with unreleased tracks written for the show.  For the most part, the tracks hew closely to the rock-pop formula that served them so well on the show (and live).  Given their origins as music written for the show, the songs have more of an educational/plot-driven feel (not to mention an ever-so-slightly younger age focus and an average sub-2-minute-per-song length).  But the Movers take pride in writing and playing all their own material, and it's clear they haven't sacrificed their love of the rock of their own youth (you'll have to ask the band whether "On Your Marks" is just an homage to Tom Petty's "Don't Do Me Like That"; you won't need to ask at all what "Gotta Get Your Work Done" is an homage to).

The 26-track, 47-minute album is most appropriate for kids ages 3 through 6.  I preferred their previous album, the post-Disney Rock-O-Matic, to this one, as it felt freer, sillier, and less plot-driven, and if you're not familiar with the band or the show, that might be the better entry point.  (I'm pretty that that album was written after this one.)  But if you liked that album and -- especially -- if you're a fan of the show, then you should try this one, too.  Recommended.

Note: I was provided a copy of the album for possible review.