Review: Got a Minute? - Milkshake

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If it's true that behind (or under) many a kids' musician is a child who encouraged (passively or actively) that musician to start making music for families, what happens when those kids grow up?

It's a question we haven't really answered in the 21st century.  ​The Baltimore-area band Milkshake may be one of the first artists of Kindie New Wave to deal.  As the kids of Milkshake's duo Lisa Mathews and Mikel Gehl reach tweenage and even teenage status, the band has suggested that their fifth album, Got a Minute?​, will be their last.

Eleven years after the release of their debut Happy Songs​, the band's changed quite a bit.  Mathews and Gehl are still at the helm, of course, but the band's six people strong at this point and on the new album they bring in a bunch of guest artists, including fellow Marylanders Cathy Fink and Marcy Marxer.  That first album had preschool-friendly songs like "Fingers & Toes," but now Milkshake's recording songs like "Girls Wanna Dance" (about middle school dances) and "Workin' Kid Blues" (about doing errands and earning money at age 12).

In some ways, the band hasn't changed -- it's still on the eager side of the kindie spectrum, even if, just as kids do as they mature, some of the song subjects look to the world outside the narrator (see "Baltimore" and "More Than Me").​  They've expanded their stylistic range over time (see on this album, for example, the hip-hop of "More Than Me" or the country of "Lookin Out the Window," the thoroughly sea chanty "We Just Wanna Have Fun," or even the instrumental "Seabreeze"), but for the most part they stick to making pop songs for growing kids.

If there is a weak link with the album it's that the inspiration for the "Got a Minute?" theme, their work for PBS Kids that comprises the final third or so of the album, sits uneasily with the rest of the album.  There's nothing horribly wrong with the songs, it's just that the 18-minute block of more simplistic 1-minute songs targeted at 4-year-olds feels tacked on at the end of a more ambitious (in many ways) 36-minute album that precedes it.

The first two-thirds of the album are most appropriate for kids ages 4 through 11; the last third for kids ages 5 and below.  You can hear several tracks at the band's music page.​

After I listened to Got a Minute? once, on future spins I tended to skip past the opening track, a kinda-barely funny skit where Lisa and Mikel try to get their band into the studio to record a song only to find out that each bandmate is busy.  Upon reflection, though, I think I figured out what Mathews and Gehl were doing with that track -- it was their take on how our kids, who once followed us everywhere, eventually move on to their own things -- and we parents need to move on too, in some way.  If Milkshake is indeed moving on to other things, they've left their kindie fans with one last album that will no doubt please them.  Recommended.

[Disclosure: I was provided a copy of the album for possible review.]

Interview: Angela C. Santomero (Super WHY!)

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If Angela C. Santomero had done nothing other than help bring the TV show Blue's Clues​ into the world, then her place in the world of kids' TV would be secure.

But she hasn't rested on her laurels and finds herself busier than ever, having created and executive-produced Super WHY!​, the #1-ranked preschool TV show, as well as Daniel Tiger's Neighborhood​, which is a spinoff of the beloved Mister Rogers' Neighborhood​.  Oh, and she executive-produces and co-hosts The Parents Show​ on PBS Parents.

And did we mention the Super WHY! live musical show, which is now touring throughout the country this spring, which Santomero wrote and features music written by fun. guitarist Jack Antonoff?

Angela answered some question by e-mail recently, though exactly where she found the time to do so, I'm not entirely sure.  Read on to find out Santomero's favorite part of the show, how Antonoff got involved, and how she stays on top of her many different enterprises.​

Zooglobble: What are your first musical memories?

Angela C. Santomero: Annie!  I fell in love with theater when I went to see my first Broadway show as a little girl, Annie.  My sister and I were so inspired that we acted it out and sang for hours and hours after we saw the show!

What are your first reading memories?

As a young preschooler, I "read" the little Golden Book Little Mommy over and over again to my parents, cousins, grandparents - basically anyone who would listen to me.  I still have the book, it's such a favorite!

I understand that Super WHY! had its origins as your Masters thesis -- what prompted you to develop the concept then (and then subsequently into production as an actual TV show)?

I was such an avid reader as a child and loved that reading took me on adventures to the most exotic and interesting places.  When I was in college, I realized that not everyone is a visual learner and that some have a harder time seeing beyond the words in a book.  I wanted to celebrate reading and use animation to help kids visualize the worlds and the characters that are beyond the text.  Helping kids to learn and LOVE to read is a passion of mine. 

What prompted you to turn Super Why into the stage production?

The idea of having kids fall in love with theater, interact with our characters and sing the songs LIVE is one of the most fulfilling experiences.  The kids who come to the show all bond over their love of the music, the stories, the games, and can't wait to hug our characters.  It's a dream come true!

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How did Jack Antonoff from fun. get involved with the show?

How lucky are we?? Our fabulous director, Glenn Orsher, has a longstanding relationship with Jack and asked him to be involved.  We are so happy to have such a talented musician be part of the show!

What were some of the challenges in writing for a live show as opposed to a TV show?

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The level of interactivity is an exciting and challenging element.  We were careful to pace the show correctly so that the kids are actually part of it.  It's magic to see the kids so involved! 

Any particular favorite parts of the show? 

My favorite is the final song - it leaves such a warm and fuzzy feeling in my belly.  I cry.  And I love the Super Duper Computer as a character in the show! (and my kids loved that it was my voice!)  :)

I often deal with musicians who keep many plates spinning simultaneously, but your plates seem even larger than most -- how do you make sure you're giving all the various roles you have (executive producer on multiple shows, family responsibilities) balanced and with the attention they deserve?

My shows are like my babies - they are all at different stage of development and, that being the case, they all need different things from me. I've always said that my vision is to "change the world one preschool show at a time."  I need multiple shows in all areas of curriculum to be able to achieve that!

What's next for Super WHY! and you?

Super WHY! on Alpha-Bits Cereal!  Super WHY! and Reading is Fundamental!  Super WHY! on Tour!  Super WHY! at the Licensing Show in June...  So much more to come! 

Photo credit: Joshua Smith

Super Why! Meets fun. Guitarist in Battle of Punctuation

(WordGirl to referee.)

OK, not really, but Super Why! and the preschool show's animated team of pint-sized problem-solvers have their first-ever soundtrack courtesy of fun. guitarist Jack Antonoff.  It's (wordily) called the Super Why! You've Got the Power Soundtrack and features 18 tracks from the series, including 10 new tracks written by Antonoff, who also recorded and produced the album.

"We Are Young" apparently was not just a song title, right?

In any case, you can download the title track for free via the widget below.  Lyrically, it's your standard "kids self-empowerment" song, but those families digging the Auto-Tuned poppy sound of fun.'s latest album will want to check it out.

The soundtrack comes out Oct. 30th on Razor & Tie, though the iTunes preorder suggests it'll be out Oct. 2nd.

Interview: Ulises Bella (Ozomatli)

For more than 15 years, the Los Angeles-based band Ozomatli have been mixing musical styles from around the globe (LA is the globe writ small), moving people's feet while sometimes addressing some pretty serious topics.  Now, with their latest album OzoKidz, out this week on iTunes and out everywhere else late September, they're bringing their mashup of styles to some younger fans.  I talked last week with saxophonist and keyboardist Ulises ("Uli") Bella (sitting, center, with the uke) about OzoKidz's origins, the difference in structuring their live gigs, and the old Tower Records on Sunset Boulevard.  (And, for a limited time -- i.e., Monday -- pick up a free download of the song "Trees" from the new album at the widget at the bottom of the page.)

Zooglobble: What are your first musical memories?

Ulises Bella: I think... my dad was a classical violinist -- he didn't make it into the Paris Conservatory, but he loved classical music.  So Bach, Beethoven, Mozart, Vivaldi, those artists.  But also my mom's poppy Mexican music and Spanish music, which my dad likes.  They encouraged setting up my own stereo system.

I remember my dad driving me to Tower Records to buy the new Blondie album.

The famous one with the actual tower?

Yeah, the one on Sunset.  It was quite a trek, about 40-50 minutes drive.  In fact, they had their annex with the classical music section right across the street, so I'd go into the main one and my dad would go to the annex and I'd meet him there afterwards.

You had done some kid-friendly things before this, songs for PBS and the Happy Feet Two videogame, but how did you fall into this album in particular?

There are some songs of ours that resonated with young kids.  "My kids love 'Chango,' gets so energetic in the car," fans would tell us.  We'd do outreach, and some songs just resonated with the kids.

Then Mario Calire, our drummer, just threw it out there -- "have you ever thought about a kids music album?"  Among Mexican Americans, there's this well-loved musician, Cri-Cri, who's this super-iconic Mexican children's artist.  We wanted to make that sort of album, specifically for kids, but for parents, too.

Did you have specific goals in mind when writing the songs for the album?

We did a lot of brainstorming -- should it be themed?  Like "animals" -- everybody writes a song about a different animal.  But in the end it ended up being an eclectic collection, lots of energy, always dacing.  Some of the songs are educational - "Trees," "Germs" -- and some celebratory.  We ended up being ourselves.

Did recording it have a different feel from recording an "adult" album?

Totally.  We try to focus on our audience, and tried to remember the energy of childhood.  Adults have to be intoxicated or really let their walls down.  We'd have kids in there with us with the percussion -- they brought a light energy to the room.  There were different subjects, too, more lighthearted as opposed to Ozomatli, which deals with more global issues, heavier subjects.  It really was like kids play.

What are the differences between playing live for adults and for kids?

Again, it's about presentation and the energy level.  A regular Ozomatli set is 90 minutes long and features a lot of solos.  The OzoKidz shows are a lot more concise, have a lot more energy.  We involve the kids in every song, as opposed to the adult shows.

Do you like playing 45 minutes as opposed to 90 minutes?

A little bit?  Sometimes I'm just getting warmed up and then I have to come offstage!? [Laughs.]

Are you willing to mix in kids tunes in your adult shows?

That's actually a hotly debated issue in the band.  We'll play it by ear.  We want to keep the energies separate.  But if one of those songs really penetrates on radio or with an audience, who knows?

What preconceptions about kids music music were changed? Any proven true?

One thing that surprised me was the group of artists that have done this.  Why don't more bands do it?  Might not fit their image, maybe.  We're always down for the kids, it's part of what we do.  We all had mentors growing up who said you can do it too and so we're bringing it to the next generation.  I always think it's cool.

Did anybody think it wasn't cool when word got around you were doing a kids album?

Not one negative response -- they all said, "That's awesome."

What's next for the band?

We're hooking up with producer Matt Wallace for the next straight-up Ozomatli album.  We're on the road every weekend, doing both adult and kid shows.  Touring Australia, too.  We're really excited to see how people digest the album.

Photo credits: Christian Lantry