Recent Spanish-Language Kids Music Albums (and One Portuguese Album)

While the flood of kids music designed to teach kids a foreign language has thankfully slowed down somewhat (the results were usually very dry, musically-speaking), what's left over is generally of higher quality.  I wanted to highlight ever so briefly some recent Spanish-language (or mostly Spanish-language) albums for kids.  I've even thrown in a Portuguese-language album for good measure.  Whether any of these would sneak into my 2015 list of ten great Spanish-language kids music albums, I'd need to spend a little more time thinking about, but all of these five albums are worth listening to in one way or another.

Arriba Abajo cover

The highest-profile of the five albums here is probably 123 Andres' Arriba Abajo, which picked up the 2016 Latin Grammy.  Based in Washington DC, Colombian-born Andrés Salguero has carved a niche by playing Spanish-language music that features more sounds of Central and South America than just Mexico.  This album features 10 songs sung entirely in Spanish, then the same 10 songs with English lyrics.  The lyrics are targeted at a preschool age (see "Cosquillas," or "Tickles"), so they are simple and direct, while the music is definitely more sophisticated.  (I particularly enjoyed "El danzon y al cha cha cha" and "Vuela, vuela" for the music.)  You can stream the album here and elsewhere.  I'm not sure kids would learn Spanish just by listening, but there have been far, far worse attempts at these sorts of album -- this is far more tuneful.

¡Alegria! album cover

Los Angeles-based Sandra Sandia took a long time between albums.  The late 2015 album ¡Alegria! arrived about 7 years after its predecessor.  The inspiration for the project was some drum loops produced by a musician called DJ Salada, all with a Brazilian flavor.  The vast majority of the lyrics are in Spanish, and unfortunately (or fortunately, depending on your perspective) translations are nowhere to be found.  But as a pure listening experience, that may help.  And with songs about cats, snakes, whales, and, erm, flying saucers ("Platillo Volador"), the album is clearly targeted at kids.  With a more modern South American sound, this album might serve as a useful counterpoint to the more traditional sound of 123 Andres.

PANORAMA album cover

The most adventurous album (subject-wise, but also musically) of the bunch may be Moona Luna's early 2016 album PANORAMA.  It loosely tells the story of a family bus trip through South America, which means it has the time for songs about traveling (the title track), walking around cities at dusk ("Atardecer (Sunset)"), or just being with family ("Llevame (Take Me with You)").  Moona Luna's mastermind Sandra Velasquez has crafted some memorable melodies and, like all of these albums, a nicely-layered production.  And while Moona Luna's first songs were much more rigid in featuring Spanish-language verses and then direct-translation English-language verses (or vice versa), these latest songs are more flexible.  It means that you could take just about any song out of the context of the album, and still want to listen to it amidst a bunch of English-language kids music with more of a pop-rock flair.  (Stream it here and elsewhere.)  It's my favorite album of the bunch, but if it's yours depends on what you and your family are trying to get out of listening to Spanish-language albums.

Cuando Era Pequeña cover

For a shinier, poppier (albeit still Latin-influenced) take on the bilingual album look to Los Angeles’ Nathalia Palis (aka Nathalia).  On her 2016 album Cuando Era Pequeña (When I Was Your Age), the Colombian-born Palis switches from English to Spanish nimbly, sometimes within the same chorus, but also leaves room for songs sung entirely in one or the other language.  There is no (overt) language acquisition goal here, just themes that’ll sound familiar to anyone who’s spent time in the kids music world -- dancing like dinosaurs (“Dinosaur Dance,” natch), birthdays (the all-English “It’s My Birthday”), and perseverance (the pop-rocker “Otra Vez”).  There’s a big distance between this album and, say, the Paulinho Garcia album below, one that’s bigger than the language difference, but it’s also healthy that non-English language music for kids and families can cover such a wide range of styles and subjects.

Aquarela album cover

Finally, unlike the other albums here, Aquarela from Brazilian-born, Chicago-based Paulinho Garcia is sung in Brazilian Portuguese.  (It's a release from the Global Language Project, which encourages the study and learning by kids of languages other than English.)  The melodies are sung by Garcia, accompanied by a small number of musicians who lay down the barest of musical accompaniments.  For any of you who have heard, say, Getz/Gilberto (and many probably have, even if you don’t know it), the samba sounds here (and the accompanying female vocals of Silvia Manrique) will have a soothing, familiar feel.  The title track is delightful, as is “Meu Limao, Meu Limoeiro,” but those are only a couple of the highlights.  If you want to learn Portuguese, the physical album includes lyrics in both the Portuguese and the English translation, but the relaxed take on these traditional Brazilian kids’ songs make for a pleasant spin regardless of whether you've got a second language in mind.

Interview: Sandra Velasquez (Moona Luna)

Sandra Velasquez

Sandra Velasquez

Sandra Velasquez has worn a number of different musical hats -- the leader of the multicultural rock and dance band Pistolera, one-half of the duo SLV, and most relevant for this neck of the woods, the driving force behind the duolingual band (and Pistolera alter ego) Moona Luna.

But as you'll see in the interview below, Velasquez is as passionate about travel as she is about music.  To my ears, the recently-released P A N O R A M A, Moona Luna's third studio album, is the band's most personal-sounding record, and after talking about travel with Velasquez, it's clear to me why that is.  Read on for Velasquez's memories of her favorite travel spots, how travel informed the making of the new album, and pictures from Velasquez's own camera.


Zooglobble: What are your first memories of traveling?

Sandra Velasquez: First memories of traveling are with my family to Mexico. My mother is from Guerrero and we would go visit her family. Part of her family lives on a coconut plantation. I have distinct memories of watching people climb coconut trees barefoot with a machete strapped to their belt and cut down coconuts for everyone, then cut off the top, make a hole so you could drink the water. It's a real skill!  I also remember the first time I felt humidity.  I was lucky in that my parents took us somewhere every year. We went to Hawaii, Canada, Europe.  I blame my family for my travel bug!

Photo credit: Sandra Velasquez

Photo credit: Sandra Velasquez

Did you travel more to cities or "scenic" areas?  Did you like one more than the other?

Definitely more scenic areas. My mother is from the countryside of Mexico. In fact, where she is from no longer exists. It was washed away by water. I suppose I never really thought about it, but I have a leaning towards scenic country settings when I travel now.  I like to be in nature as much as possible. I'm going to Lombok this summer and can't wait.

Do you visit the same places over and over, or do you generally prefer exploring new places?

Always someplace new if possible.  I might repeat some places only to show them to my daughter. I have a list of places I want to take her now she's older and can enjoy and remember them.  Every year I try to go somewhere new.  I've been to Costa Rica, Australia, all over Latin America, and I'm looking forward to Indonesia and Lombok this summer! [And I] am dying to get to Vietnam and Thailand. Maybe next year....

Do you think that desire to visit someplace new if possible extends to your artistic endeavors -- music in particular?

I never thought of that either, but yes! I suppose my wanderlust extends through all of my life! It's not about getting bored so much as being curious and always growing, once I feel like I'm not growing anymore then I move on. This is why there hasn't been another Pistolera album for many years. I feel like I took that sound as far as I could g(r)o(w).  And I can't fake things. I've seen people who are "stuck" in their successful band churning out the one sound people want to hear from them for decades. I don't want that.  I need to create things that I want to create. Otherwise music becomes another day job.

Moona Luna busking

Moona Luna busking

What new sounds or adventures were you aiming for on your new album P A N O R A M A?

As someone who grew up in California, and by that I mean in car culture, I love me a good driving album. I really wrote the album and ordered the songs in order of taking a journey from one place to the next. I used my own memories of traveling extensively by bus through Central America as visual inspiration when writing. Each song is truly connected to an actual experience I had. I did a lot of traveling alone in Latin America, which allowed me to really blend in with whatever town I was in. Those solo adventures through Guatemala, Honduras, and El Salvador really shaped who I am. So to answer your question, I hope I am giving people the soundtrack to their own journey, whether they've taken it yet or not.

Photo credit: Sandra Velasquez

Photo credit: Sandra Velasquez

Are there any tracks that are more meaningful to you because they're associated with particular memories?

The first three tracks I associate with specific memories as well as tracks 6, 7 and 10.  It's not that the others don't have a visual for me - they do - but they are imagined...

The title track - "Panorama" - I have many memories that insprired this song. First, going to Tikal in Guatemala at dawn. Climbing the pyramids and seeing nothing but jungle on the horizon. The only sounds were of monkeys. It was pretty magical.

I also think of being on the bus (I was on the bus a lot) where you are winding through dense mountains and there is no civilization for as long as the eye can see.  Latin America is filled with tiny chapels at the tops of steep hills.  It's almost like an olympic sport climbing hundreds of stairs. But then once you do, you have an eagle eye view.

Note: I did all of these travels before the iPhone. so my pictures are with a [expletive] disposable camera (I never travel with expensive gear).

Those are lovely photos!  (Also: I think Instagram should add a "[expletive] disposable camera" filter.)

Track 2 - "Happiness" - this is basically is a "grass isn't greener" song. I love to travel, don't get me wrong, but I do feel that Americans often feel they need to go FAR away to "discover" new things/feelings/people, and actually there's alot right here! There are still pockets of New York that I haven't discovered! The Bronx is vast.  The song is not only about finding physical spaces, but also about just finding yourself in your own life.  Sometimes we do need go somewhere else and get lost to learn about ourselves. and sometimes we learn that those things were inside of us all along.

Photo credit: Sandra Velasquez

Photo credit: Sandra Velasquez

Track 3 - "Espejos" - I have lot of family in mexico still. I don't get to see them very much. It's almost a little overwhelming to have a big family in one place. because if you go there, you HAVE to see family.  [Anyway,] when I did go to Mexico with my family when I was younger it made an impression on me.  I saw where certain physical traits and even vocal tones came from. Isn't it a trip when you look at, say, your great uncle and you have their eyes or their shoulders? You know what I mean? It's quite intense to see how people that all come from the same lineage turn out. I have cousins that look JUST like my grandmother even though their mother does not.  This song ("Mirrors," in English) is all about how we see ourselves in each other.

In discussing "Happiness," you mention finding out things about yourself while traveling -- what have you found while traveling?

The reason I love traveling is because of how it puts me in my place in the world. This is if you are truly traveling, not vacationing. When you truly travel and engage with the community you become aware of all of the things you take for granted. I should also interject that I have mostly traveled in Latin America.  One might not have the same feeling after travelling in Scandanavia where health care is free!

P A N O R A M A album cover

P A N O R A M A album cover

Mostly what I have learned from traveling is how lucky I am, how many resources I have at my fingertips, and that I have a LOT to be grateful for.

In the end, what do you hope listeners take away from P A N O R A M A?

The album takeaway - I want it to be a soundtrack to your next adventure. maybe that's just a road trip three hours away, or maybe it across the pond. I love soundtracks, and if I can make one for someone else, that makes me feel like I've done my job.

Photo credit: Sandra Velasquez

Photo credit: Sandra Velasquez

Photo credits: Shervin Lainez (top), Signe Schloss (Moona Luna) Sandra Velasquez (all others)

Ten Great Spanish-Language Kids Music Albums

Earlier this week, the 16th Annual Latin Grammys were awarded, and the Children's category featured 3 familiar names to fans of kindie (and Zooglobble): Mister G, Lucky Diaz and the Family Jam Band, and 123 Andrés.  (The winner this time around was Mister G for Los Animales; Diaz won a couple years ago for ¡Fantástico!.)

Concurrently, as I wrote recently in my review of Sonia De Los Santos' latest album, I think we're in a third wave of Spanish kids music.  And I believe that because this new wave has a broad range of musical sounds and is made for entertainment rather than explicitly educational (read: language-learning) reasons, it's likely to stick.

So I thought it was an appropriate time for me to produce a list I've been pondering for awhile, and that's this list of ten great Spanish-language kids music albums.

I'll be the first to admit that the relative paucity on this list of albums released before 2000 is a weakness of this list, but there are no weak albums here -- they are either essential albums from a historical or classroom setting, or they are lots of fun regardless of whether Spanish is your first, second, or sixth language.

I'll also say that this list was harder to compile than I initially thought it might be, not because I struggled to find ten albums to be on the list, but because I had to cut some albums that I initially thought would make it due to sheer numbers.  But it's folks like Andrés Salguero and Mariana Iranzi, for example, whom I expect to continue to make quality music along with the rest of these artists.

It's a good time to listen to kids music sung in Spanish -- here are ten albums, ordered chronologically, to let you dive in.


ALERTA Sings / Songs for the Playground cover

ALERTA Sings / Songs for the Playground cover

Artist: Suni Paz

Album: ALERTA Sings & Songs for the Playground (2000 on CD; the two albums date to 1980 and 1977, respectively)

Description: 44 traditional nursery rhyme and playground songs, with some folk songs as well, sung by perhaps the best-known bilingual Spanish-language (female) kids' musician.  (Paz has a number of albums for adults as well.)  Released on Smithsonian Folkways.  Features a handful of songs in English to go along with the primarily Spanish-language songs.  Many songs for preschoolers, but also older

De Colores album cover

De Colores album cover

ArtistJosé-Luis Orozco

Album: De Colores and Other Latin American Folk Songs (2003 on CD, though it dates back to the '90s at least)

Description: 27 traditional folks songs for children, sung by perhaps the best-known bilingual Spanish-language (male) kids' musician.  Looking for an album to learn songs for use in a (preschool) classroom setting?  Start here.

Putumayo Kids - Brazilian Playground album cover

Putumayo Kids - Brazilian Playground album cover

Artist (Label)Putumayo Kids

Album: Brazilian Playground (2007, tweaked and re-released in 2012)

Description: Putumayo has of course built its business on bringing songs from around the world to the English-speaking part of the world.  This album is particularly dance-y.  It's not necessarily "kindie," but it's a lot of fun.  Oddly enough, even though the album got a second release, it's now out-of-print.  Latin Playground, which draws from a broader range of countries, is an acceptable (in-print) substitute.  [Review]

Dan Zanes - Nueva York! album cover

Dan Zanes - Nueva York! album cover

Artist: Dan Zanes

Album: ¡Nueva York! (2008)

Description: Probably the first "kindie" Spanish-language album, almost entirely in Spanish, but with an undeniably Zanes-ian roots-rock spin.  It's not quite a "Dan Zanes" album -- it's missing some of the goofiness interwoven through his best work -- but it's generous and open in sharing the stage (or recording studio) with many wonderful artists and songs. [Review]

Salsa for Kittens and Puppies cover

Salsa for Kittens and Puppies cover

ArtistBaby Loves Salsa

AlbumSalsa for Kittens & Puppies (2008)

Description: Part of the "Baby Loves..." series, which started with disco and then (briefly) branched into a series of different genres.  This one is produced by Grammy winner Aaron "Luis" Levinson and features a host of all-star players, including Jose Conde on vocals.  The lyrical content (mostly Spanish) is for preschoolers (it is "Baby Loves..." after all), but the music will appeal to a broader range.

Los Animales / Els Animals album cover

Los Animales / Els Animals album cover

Artist (Label)Minimusica

AlbumLos Animales / Els Animals (2012)

Description: There is plenty of traditional Spanish-language folk music and instrumentation on this list, but this compilation was the first album that really changed my notion of what Spanish-language kids music could be -- it's basically indie rock for kids in Spanish, made for Spanish kids.  Subsequent albums (Stateside) took a similar approach, but this is my favorite from Minimusica's four such collections.  [Review]

Vamos, Let's Go! album cover

Vamos, Let's Go! album cover

Artist: Moona Luna

Album: Vamos, Let’s Go! (2013)

Description: Sandra Velasquez's band for kids can sometimes feel like it has an "educational" bent in that its lyrics are simple, often mimicking the English in its Spanish verses and vice versa.  But she has a sharp ear for hooks, and this particular album, which uses the sounds of late '50s and early '60s rock and roll, has a unique sound not duplicated elsewhere on this list.  Definitely one of my favorite bilingual artists.  [Review]

Los Animales album cover

Los Animales album cover

Artist: Mister G

Album: Los Animales (2015)

Description: As the Massachusetts-based Mister G has recorded more albums in Spanish and English, his songs have become pared down more to their bare essentials.  This album focuses on animals and is focused on preschoolers, but he brings in a number of top-notch musicians to give the songs a rich folk-rock texture with Latin accents.  [Review]

Adelante album cover

Adelante album cover

ArtistLucky Diaz and the Family Jam Band

AlbumAdelante (2015)

Description: Diaz is another artist who is pushing the boundaries of what Spanish-language kids' music can sound like.  This is a big, poppy bilingual record with a foot planted in English-language pop-rock and the other foot planted in more traditional Spanish sounds.  If there's an album on this list that will challenge preconceptions of what Spanish-language kids music made in America can sound like, this is it.  [Review]

Mi Viaje: De Nuevo Leon to the New York Island album cover

Mi Viaje: De Nuevo Leon to the New York Island album cover

Artist: Sonia De Los Santos

Album: Mi Viaje: De Nuevo León To the New York Island (2015)

Description: I think it's appropriate that one of the artists featured by Dan Zanes on his ¡Nueva York! album gets a spot of her own.  It takes a very broad view of Spanish-language music, covering songs from either side of the Atlantic Ocean and recounting, in a manner of speaking, her own journey from Mexico to New York City.  Ecumenical in its musical approach, from traditional instrumentation to Dan Zanes roots-rock.  [Review]

 

Review: Mi Viaje: De Nuevo Leon to the New York Island - Sonia De Los Santos

Sonia De Los Santos - Mi Viaje: De Nuevo Leon to the New York Island album cover

Sonia De Los Santos - Mi Viaje: De Nuevo Leon to the New York Island album cover

We are in at least the third wave of Spanish-language kids music.  The first wave was a narrow but very deep wave, for the most part consisting of Jose-Luis Orozco and Suni Paz, who each have been making music and releasing records for roughly forty years.  (They're still doing so.)

The two of them (separately) made their folk music, often with little more than their voices and guitars, but in the late 2000s, the second wave swept through.  This second wave was considerably broader, but also far more shallow.  This was because most of the music was designed with the idea of teaching Spanish to English speakers in mind.  This led to literally dozens of Spanish-language albums featuring simplistic lyrics and, often, music to match.  There were exceptions, of course -- Dan Zanes' ¡Nueva York! from 2008, his attempt to translate his age-desegregated music to a non-English idiom and capture in music the vibrancy of the Latin culture in New York City was the most notable -- but mostly they proved the rule.  I don't know how successful these albums were in teaching Spanish, but the fact that such albums aren't released much these days suggests that there isn't much of a market for them, educationally or musically.

So here we are in the third wave, I think.  What are the features of the third wave?  I think they're threefold:

1) An expansion of the sound from guitar-based folk music to encompass not only traditional music from a wider range of Spanish-speaking countries, but also shinier pop and rock sounds.

2) The diminution of interest in the song as explicit Spanish-language teaching tool.  There are still songs and albums for which that's a more important point, but they tend to be much better songs, which makes any educational point go down much more smoothly.

3) The choice to write songs in Spanish just because it happens to be the best language for telling the story of the song.  Much as a musician might choose a particular genre, they can choose a language as well.  Here in the United States, of course, English is usually the default option... but it's not the only option.

It's in this third wave that we find Sonia De Los Santos, who brings us Mi Viaje: De Nuevo León to the New York Island, her first solo album for families.  Over the course of twelve tracks, De Los Santos sings about her journey ("viaje") from her home in Monterrey, Mexico to New York City.  For the most part, the journey isn't literal, but rather a journey in song.  Unsurprisingly, since De Los Santos first came to attention to the kids' music world when she joined Dan Zanes' band back around the time of ¡Nueva York!, Zanes plays an important role -- his Festival Five Records is releasing the album, and he and his band appear on several track.  ("Tan Feliz," a De Los Santos original, has a very Zanes-ian folk-rock sound.)

But this is not another Dan Zanes album, which allows De Los Santos to put her own mark on the style of family music Zanes popularized.  Setting aside the language difference (98% of the lyrics here are not in English), De Los Santos travels the Spanish-speaking hemisphere to dip into a broad series of styles.

As I live in the Southwest United States, and have for the better part of thirty years, perhaps I gravitated to the sounds most familiar to me, those of Mexico, the sons with sizable bands of stringed instruments (jarana and requinto, for example, which are versions of guitar).  So "La Golondrina" ("The Swallow," another De Los Santos original) and album closer "Monterrey" appealed to me.

But it's definitely a broader tour than that as she records songs from Venezuela ("Luna y Lucero," or "The Moon and Star"), Chile ("Indeicto Dormido," featuring a distinctive pan flute sound), and Cuba ("Burubndanga," with Caridad De La Luz aka La Bruja helping out on vocals).    She sings a lullaby, "Txoria Txori," in a language I've never even heard of before, let alone heard, Euskera, which is from the Basque region in Spain.  She even translates a couple English-language songs into Spanish, most notable Woody Guthrie's "This Land Is Your Land."  Here, it becomes "Esta Es Tu Tierra," building from a single voice to a large chorus, and in its translation and structure, it's an artistic choice that is both subtler and bolder politically than anything else you're likely to hear on a kids' record this year.

The cumulative effect is indeed that of a journey, but I wish De Los Santos had been even more of a guide.  De Los Santos' voice and the musical arrangements convey a fair amount of the songs' emotional and lyrical content, and she provides some brief comments in the liner notes, but there are no lyrical translations attached.  (The website has some, but not all, translations as of the time of this writing.)  I think, therefore, that some of the impact of the album will be muted for, say, the 5-year-old kid who doesn't happen to speak Spanish.

This will be an increasingly interesting choice for artists in the future -- do they make albums featuring non-English songs explicitly for an audience of primarily English speakers, or do they craft the albums for the target non-English-speaking audience and hope the English speakers come along for the ride?  I think that artists are going to come down on both sides of that question, and continue to wrestle with what they're trying to do.

The 41-minute album is most appropriate for kids ages 4 through 8.  You can listen to "La Golondrina" here.  As with most Festival Five albums, the physical album packaging is lovely -- it's definitely an album worth considering getting a physical version of.

Mi Viaje is an engaging album, and De Los Santos has succeeded in her goal of having listeners understand her journey from Mexico to New York City.  A Spanish-language kids music album might seem like a niche record, but as De Los Santos and others in this third wave of Spanish-language kids music of the past couple years have shown, it can speak to a fairly broad audience.  Definitely recommended.

Note: I received a copy of this album for possible review.

Video: "Siete Elefantes" - Mister G (World Premiere!)

Los Animales album cover

Los Animales album cover

Over the past few years, Massachusetts-based Ben Gundersheimer -- best known to the under-6 set as Mister G, has released a number of albums partially or even predominantly in Spanish, and he shows no sign of stopping that trend.  He's just released Los Animales (the album title's a pretty good clue as to the album's theme and primary language) and to celebrate, the album's first video for its title track, world-premiered here!

Mister G teams up with the same folks who created the animated video for "Cocodrilo" -- director Leo Antolini and animator Andrea Cingolani.  This one's every bit as charming as that one, a rainbow of animals.  Non bastante!   More, please!

Mister G - "Los Animales" [YouTube]

Interview Sandra Velasquez (Moona Luna)

SandraVelasquez.jpg

Up above in the title for this interview, I've written "Moona Luna" after Sandra Velasquez, because if you're reading this website, you're probably most familiar with the New York-based Velasquez as the mastermind behind the bilingual Spanish kindie band.

But like many musicians, Velasquez wears a number of hats, and so it's just as likely that the intrepid Google-r will eventually find their way to this interview because they're fans of Velasquez's band Pistolera, the Spanish-language band she founded in 2005.

Or maybe you grooved to "Cheerleader," the leadoff single from SLV, the band featuring Velasquez and multi-instrumentalist Sean Dixon.

So there are a lot of reasons to listen to Velasquez, and I'm offering you one more -- the interview below, completed while Velasquez was on tour, and in which she talks about starting her musical life as a reluctant keyboardist, the impact of songwriting on her life, and the different audiences she plays to.


Zooglobble: What are your first musical memories?

Sandra Velasquez: I was forced to play piano as a child. So my earliest musical memories of are being forced to practice and playing piano recitals in lace dresses.  I begged my parents to let me quit piano, which they did when I was 13. I bought my first electric guitar and started taking lessons immediately to learn all my favorite Nirvana, Hendrix, and other rock songs. Incidentally, the first band I played in when I was fifteen was as a keyboardist. We mostly practiced instead of gigging. Those were wonderful years because we were so naive in our freedom.

Pistolera.jpg

What inspired you to form Pistolera?

I moved to New York City the day after I graduated from music school in 1999 and spent that first summer completely in shock of the lack of Mexican and/or (more importantly) Chicano culture.  I always said that I had I stayed in California I would have just played in a rock band. I started Pistolera out of a longing for trucks driving by with accordion melodies blaring out of them, for taco shops with banda music leaking out of the kitchen. But of course being a rocker at heart, Pistolera was always a blend. Latin music with rock attitude. 

How did the birth of your daughter inspire Moona Luna?

I could have never started Moona Luna without my daughter. I would not have known what to write about! I am the kind of songwriter that writes from personal experiences. I can't make stuff up. 

VamosLetsGoMoonaLuna.jpg

What have you enjoyed about writing songs for Moona Luna as compared to writing them for Pistolera?  What has been more challenging?

Writing for Moona Luna has taught me that at the end of the day I am a songwriter. Not just a songwriter for Pistolera, or for one demographic. I enjoy writing songs. I'm addicted to melodies. Writing a good song can be challenging no matter who you are writing for. Some songs flow out easily and others you have to work on, put aside, and work on some more. I did find that giving myself a theme for the second Moona Luna album (Vamos, Let's Go!) helped me write.

Has your songwriting for families changed as your daughter has grown older?  As you've grown older?

Now that I have multiple bands I have found that the songwriting just changes with time regardless. There is a the perception that I as the songwriter change the music, but lately I have been feeling like it's the music that changes me. I grow through the music.  It is all equally valid and growth-inducing. 

This may be difficult to answer, but are your Moona Luna audiences mostly filled with families for whom English is a second language, or are they more families for whom English is their primary language?

It really depends on the show. We did a residency in Santa Barbara where we played for underprivileged communities and most were bilingual if not mostly Spanish speakers. This may sound sad, but going to concerts at $15 a pop tend to be less accessible financially to families who do not speak English. When we play free city parks concerts in New York City the non-English speakers tend to be the childcare workers.  This has been my experience. 

MoonaLuna.jpg

Are there gaps that you see (in terms of musical styles, subjects, audiences) that "kindie" doesn't serve well enough?

Kindie audiences, or more specifically, kids, don't tend to favor dark or slow music in a live show scenario. This is just my experience with my own 7-year-old daughter. She likes upbeat music. I do too, but I also love slow, moody, minor and diminished chord music. This is why it's great to have multiple projects because it's hard to satisfy all of my musical cravings with just one band. If I just did Moona Luna I would feel more like an entertainer. Not that there is anything wrong with that, but I don't always feel cheery -- do you? It would be unsatisfying for me if my only musical experience was to put on a happy face and dance. I have many moods and thankfully, three bands to express them all. 

You recently released a song -- "Together" -- with Secret Agent 23 Skidoo.  Are there other musicians you and Moona Luna would love to work with?

I loved collaborating with Skidoo. I heard his voice in my head when I wrote the song so I was pretty happy that he agreed to do it. I really love Lori Henriques' new album. She would be fun to collaborate with. 

You have lots of ongoing projects going on -- Moona Luna, Pistolera, your solo album -- what's next?

At the moment I am really focused on SLV, which in the beginning was billed as my "solo project" but it's not really that, though the band name is my initials! It's really a new band and an equal collaboration with my drummer Sean Dixon, who is the drummer for the experimental electronic band Zammuto. (Check them out!). Since we recorded and released an EP with Meshell Ndegeocello in 2013, we have been working on our debut album. It's been over a year and I'm happy to say it's done and the first music video is filmed. It will come out this spring and you can expect to see us on tour this summer. I've started a new Moona Luna album too and hope to escape the cold of NYC and finish the songwriting part of it in February somewhere warm.

Photo credits: Shervin Lainez (Sandra Velasquez), M. Sharkey (Moona Luna)